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1 | <HTML> |
2 | <HEAD><TITLE> | |
3 | Tuplets | |
4 | </TITLE></HEAD> | |
5 | <BODY> | |
6 | <P> | |
7 | <A HREF="ichdattr.html"><-- previous page</A> | |
8 | ||
9 | <A HREF="index.html">Table of Contents</A> <A HREF="altinp.html">next page --></A> | |
10 | </P> | |
11 | ||
12 | <H3> | |
13 | Tuplets | |
14 | </H3> | |
15 | <P> | |
16 | Tuplets are specified by giving a list of chords within curly braces. | |
17 | The ending brace is optionally followed by a side ("above" or "below"). | |
18 | This is followed by a number or pair of numbers, and a semicolon. | |
19 | </P> | |
20 | <P> | |
21 | The "side" tells Mup whether to print the tuplet number and bracket above | |
22 | or below the chords. It only applies on voice 1 or 2 | |
23 | when the other voice (1 or 2) is nonexistent or a space. | |
24 | If there are at least two voices, the number and bracket | |
25 | will always be put above on voice 1 and below on voice 2. | |
26 | You can always force the side on voice 3. | |
27 | If you don't specify a side for a tuplet, | |
28 | Mup will choose the side that seems best. | |
29 | </P> | |
30 | <P> | |
31 | The first number is the number that should be printed with the tuplet. | |
32 | If it is followed by an "n" the number (and bracket) will not actually be | |
33 | printed. | |
34 | If it is followed by a "y" the number and bracket will always be printed, | |
35 | unless there is only a single chord in the tuplet, in which case only | |
36 | the number will be printed. | |
37 | If it is followed by "num" the number will always be printed, | |
38 | but the bracket will never be printed. | |
39 | If none of those modifiers are are specified, | |
40 | the number will always be printed, but | |
41 | the bracket will be omitted in cases where all the notes in the tuplet | |
42 | are beamed together and the beam does not include any notes not in the tuplet. | |
43 | </P> | |
44 | <P> | |
45 | The second number, if any, is separated from the first by a comma, | |
46 | and tells the time unit that the tuplet is to | |
47 | take up. This number can be dotted if necessary. | |
48 | It can also be a time expression, like 2+8, | |
49 | although that is very rarely likely to be useful. | |
50 | If no second number is given, the default is to fit in the next shorter | |
51 | un-dotted note. For example, three eighth notes would be fitted into | |
52 | the time of a quarter note, or five eighth notes would be fitted into the | |
53 | time of a half note. | |
54 | </P> | |
55 | <P> | |
56 | Occasionally in music, as a shorthand, | |
57 | a single note or chord is printed with a tuplet number to | |
58 | indicate the note or chord is to be repeated several times as a tuplet. | |
59 | Mup will allow this; simply use a tuplet with only one chord, and add | |
60 | one or more | |
61 | <A HREF="chrdattr.html#slashes">slashes.</A> | |
62 | </P> | |
63 | <P> | |
64 | Here are some examples of tuplets: | |
65 | <BR><PRE> | |
66 | // This has a triplet, where 3 eighth | |
67 | // notes take as much time as a | |
68 | // normal quarter note. | |
69 | 1: { 8ce; df; eg;}3; 4fa; | |
70 | bar | |
71 | ||
72 | // This has a dublet, in which 2 quarter notes | |
73 | // take the time of a normal dotted quarter | |
74 | 1: { 4f; g; } 2, 4.;8a; | |
75 | bar | |
76 | ||
77 | // A quarter note and eighth note that | |
78 | // make up a triplet the length of a | |
79 | // normal quarter note, | |
80 | // with the 3 printed above the notes | |
81 | 1: { 4c+; 8b; } above 3; 4c+; | |
82 | bar | |
83 | ||
84 | // A septuplet in the time of a half note | |
85 | // with the "7" printed below the notes | |
86 | 1: { 8c; b-; c; e; d; f; a; } below 7; | |
87 | bar | |
88 | ||
89 | // single chord tuplet | |
90 | 1: { [slash 1] 4.ceg;}3; 4; | |
91 | bar | |
92 | </PRE><BR> | |
93 | <IMG SRC="mugex30.gif" ALT="Picture of Mup output"><BR> | |
94 | </P> | |
95 | <HR><P> | |
96 | <A HREF="ichdattr.html"><-- previous page</A> <A HREF="index.html">Table of Contents</A> <A HREF="altinp.html">next page --></A> | |
97 | </P> | |
98 | </BODY></HTML> |