2 .\" Copyright (C) 2004-2009 Richard Kettlewell
4 .\" This program is free software: you can redistribute it and/or modify
5 .\" it under the terms of the GNU General Public License as published by
6 .\" the Free Software Foundation, either version 3 of the License, or
7 .\" (at your option) any later version.
9 .\" This program is distributed in the hope that it will be useful,
10 .\" but WITHOUT ANY WARRANTY; without even the implied warranty of
11 .\" MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
12 .\" GNU General Public License for more details.
14 .\" You should have received a copy of the GNU General Public License
15 .\" along with this program. If not, see <http://www.gnu.org/licenses/>.
19 pkgconfdir/config - DisOrder jukebox configuration
21 The purpose of DisOrder is to organize and play digital audio files, under the
22 control of multiple users.
23 \fIpkgconfdir/config\fR is the primary configuration file; the web interface
24 uses a number of others (see \fBdisorder.cgi\fR(8)).
26 DisOrder can be configured with multiple collections of tracks, indexing them
27 by their filename, and picking players on the basis of filename patterns (for
30 Although the model is of filenames, it is not inherent that there are
31 corresponding real files - merely that they can be interpreted by the chosen
33 See \fBdisorder\fR(3) for more details about this.
35 Each track can have a set of preferences associated with it.
36 These are simple key-value pairs; they can be used for anything you
37 like, but a number of keys have specific meanings.
38 See \fBdisorder_preferences\fR(5) for more details about these.
40 Track names are derived from filenames under the control of regular
41 expressions, rather than attempting to interpret format-specific embedded name
43 They can be overridden by setting preferences.
45 Names for display are distinguished from names for sorting, so with the right
46 underlying filenames an album can be displayed in its original order even if
47 the displayed track titles are not lexically sorted.
49 A collection of global preferences define various bits of server state: whether
50 random play is enabled, what tags to check for when picking at random, etc.
51 See \fBdisorder_preferences\fR(5) for more information.
52 .SS "Users And Access Control"
53 DisOrder distinguishes between multiple users.
54 This is for access control and reporting, not to provide different
55 views of the world: i.e. preferences and so on are global.
57 Each user has an associated set of rights which contorl which commands they may
59 Normally you would give all users most rights, and expect them to
60 cooperate (they are after all presumed to be in a shared sound environment).
62 The full set of rights are:
65 User can perform read-only operations
68 User can add tracks to the queue
71 User can move any track
74 User can move their own tracks
77 User can move randomly chosen tracks
80 User can remove any track
83 User can remove their own tracks
86 User can remove randomly chosen tracks
89 User can scratch any track
92 User can scratch their own tracks
95 User can scratch randomly chosen tracks
98 User can change the volume
101 User can perform admin operations
104 User can initiate a rescan
107 User can register new users.
110 user would have this right.
113 User can edit their own userinfo
116 User can modify track preferences
119 User can modify global preferences
122 User can pause/resume
124 Access control is entirely used-based.
125 If you configure DisOrder to listen for TCP/IP connections then it will
126 accept a connection from anywhere provided the right password is
128 Passwords are never transmitted over TCP/IP connections in clear,
129 but everything else is.
130 The expected model is that host-based access control is imposed at
133 The web interface is controlled by a collection of template files, one for each
134 kind of page, and a collection of option files.
135 These are split up and separate from the main configuration file to
137 See \fBdisorder.cgi\fR(8) for more information.
138 .SS "Searching And Tags"
139 Search strings contain a list of search terms separated by spaces.
140 A search term can either be a single word or a tag, prefixed with "tag:".
142 Search words are compared without regard to letter case or accents; thus, all
143 of the following will be considered to be equal to one another:
146 LATIN CAPITAL LETTER E
148 LATIN CAPITAL LETTER E WITH GRAVE
149 LATIN SMALL LETTER E WITH GRAVE
150 LATIN CAPITAL LETTER E plus COMBINING GRAVE ACCENT
151 LATIN SMALL LETTER E plus COMBINING GRAVE ACCENT
154 The same rules apply to tags but in addition leading and trailing whitespace is
155 disregarded and all whitespace sequences are treated as equal when they appear
156 as internal whitespace.
158 Where several tags are listed, for instance the tags preference for a track,
159 the tags are separated by commas.
160 Therefore tags may not contain commas.
161 .SH "CONFIGURATION FILE"
163 Lines are split into fields separated by whitespace (space, tab, line
164 feed, carriage return, form feed).
165 Comments are started by the number sign ("#").
167 Fields may be unquoted (in which case they may not contain spaces and
168 may not start with a quotation mark or apostrophe) or quoted by either
169 quotation marks or apostrophes.
170 Inside quoted fields every character stands for itself, except that
171 a backslash can only appear as part of one of the following escape sequences:
186 No other escape sequences are allowed.
188 Within any line the first field is a configuration command and any
189 further fields are parameters.
190 Lines with no fields are ignored.
192 After editing the config file use \fBdisorder reconfigure\fR to make
194 If there is anything wrong with it the daemon will record a log
195 message and ignore the new config file.
196 (You should fix it before next terminating and restarting the daemon,
197 as it cannot start up without a valid config file.)
198 .SS "Configuration Files"
199 Configuration files are read in the following order:
203 .I pkgconfdir/config.private
204 Should be readable only by the jukebox group.
205 Not really useful any more and will be abolished in future.
207 .I ~\fRUSERNAME\fI/.disorder/passwd
208 Per-user client configuration.
209 Optional but if it exists must be readable only by the relevant user.
210 Would normally contain a \fBpassword\fR directive.
212 .I pkgconfdir/config.\fRUSERNAME
213 Per-user system-controlled client configuration.
214 Optional but if it exists must be readable only by the relevant user.
215 Would normally contain a \fBpassword\fR directive.
217 The prefererred location for per-user passwords is \fI~/.disorder/passwd\fR and
218 \fBdisorder authorize\fR writes there now.
219 .SS "Global Configuration"
221 .B home \fIDIRECTORY\fR
222 The home directory for state files.
225 The server will create this directory on startup if it does not exist.
227 .B plugins \fIPATH\fR
228 Adds a directory to the plugin path.
229 (This is also used by the web interface.)
231 Plugins are opened the first time they are required and never after,
232 so after changing a plugin you must restart the server before it is
233 guaranteed to take effect.
237 is used without arguments the plugin path is cleared.
238 .SS "Server Configuration"
240 .B alias \fIPATTERN\fR
241 Defines the pattern use construct virtual filenames from \fBtrackname_\fR
244 Most characters stand for themselves, the exception being \fB{\fR which is used
245 to insert a track name part in the form \fB{\fIname\fB}\fR or
248 The difference is that the first form just inserts the name part while the
249 second prefixes it with a \fB/\fR if it is nonempty.
251 The pattern should not attempt to include the collection root, which is
252 automatically included, but should include the proper extension.
254 The default is \fB{/artist}{/album}{/title}{ext}\fR.
257 Selects the backend used to play sound and to set the volume.
258 The following options are available:
263 This is only available on Linux systems, on which it is the default.
266 Use Apple Core Audio.
267 This only available on OS X systems, on which it is the default.
270 Use the OSS (/dev/dsp) API.
271 Not available on all platforms.
275 This is the default if
277 is specified, or if no native is available.
280 Transmit audio over the network.
281 This is the default if \fBbroadcast\fR is specified.
283 .BR disorder-playrtp (1)
284 to receive and play the resulting stream on Linux and OS X.
286 is a deprecated synonym for this API.
289 .B authorization_algorithm \fIALGORITHM\fR
290 Defines the algorithm used to authenticate clients.
291 The valid options are sha1 (the default), sha256, sha384 and sha512.
293 .BR disorder_protocol (5)
296 .B broadcast \fIADDRESS\fR \fIPORT\fR
297 Transmit sound data to \fIADDRESS\fR using UDP port \fIPORT\fR.
298 This implies \fBapi rtp\fR.
300 See also \fBmulticast_loop\fR and \fBmulticast_ttl\fR.
302 .B broadcast_from \fIADDRESS\fR \fIPORT\fR
303 Sets the (local) source address used by \fBbroadcast\fR.
305 .B channel \fICHANNEL\fR
306 The mixer channel that the volume control should use.
308 For \fBapi oss\fR the possible values are:
312 Output level for the audio device.
313 This is probably what you want and is the default.
316 Output level for the PC speaker, if that is connected to the sound card.
319 Output level for alternative codec device.
323 The OSS documentation recommends against using this, as it affects all
327 You can also specify channels by number, if you know the right value.
329 For \fBapi alsa\fR, this is the name of the mixer control to use.
330 The default is \fBPCM\fR.
331 Use \fBamixer scontrols\fR or similar to get a full list.
333 For \fBapi coreaudio\fR, volume setting is not currently supported.
335 .B collection \fIMODULE\fR \fIENCODING\fR \fIROOT\fR
337 .B collection \fIMODULE\fR \fIROOT\fR
339 .B collection \fIROOT\fR
340 Define a collection of tracks.
342 \fIMODULE\fR defines which plugin module should be used for this
344 Use the supplied \fBfs\fR module for tracks that exist as ordinary
345 files in the filesystem.
346 If no \fIMODULE\fR is specified then \fBfs\fR is assumed.
348 \fIENCODING\fR defines the encoding of filenames in this collection.
349 For \fBfs\fR this would be the encoding you use for filenames.
350 Examples might be \fBiso\-8859\-1\fR or \fButf\-8\fR.
351 If no encoding is specified then the current locale's character encoding
354 NB that this default depends on the locale the server runs in, which is not
355 necessarily the same as that of ordinary users, depending how the system is
357 It's best to explicitly specify it to be certain.
359 \fIROOT\fR is the root in the filesystem of the filenames and is
360 passed to the plugin module.
361 It must be an absolute path and should not end with a "/".
363 .B cookie_key_lifetime \fISECONDS\fR
364 Lifetime of the signing key used in constructing cookies. The default is one
367 .B cookie_login_lifetime \fISECONDS\fR
368 Lifetime of a cookie enforced by the server. When the cookie expires the user
369 will have to log in again even if their browser has remembered the cookie that
370 long. The default is one day.
372 .B default_rights \fIRIGHTS\fR
373 Defines the set of rights given to new users.
374 The argument is a comma-separated list of rights.
375 For the possible values see
376 .B "Users And Access Control"
379 The default is to allow everything except \fBadmin\fR and \fBregister\fR
380 (modified in legacy configurations by the obsolete \fBrestrict\fR directive).
385 For \fBapi oss\fR this is the path to the device to use.
386 If it is set to \fBdefault\fR then \fI/dev/dsp\fR and \fI/dev/audio\fR
389 For \fBapi alsa\fR this is the device name to use.
391 For \fBapi coreaudio\fR this can be either the UID or the human-readable
392 name of the desired device.
393 For a list of names, visit System Preferences -> Sound and look at the Type column.
394 For example, you might use "Built-in Output" for the built-in speaker
395 or "Built-in Line Output" if you have connected external speakers.
396 Remember to quote the name.
398 The default is \fBdefault\fR, which is intended to map to whatever the system's
402 Specifies the number of seconds to leave between tracks.
405 NB this option currently DOES NOT WORK. If there is genuine demand it might be
408 .B history \fIINTEGER\fR
409 Specifies the number of recently played tracks to remember (including
410 failed tracks and scratches).
412 .B listen \fR[\fIHOST\fR] \fISERVICE\fR
413 Listen for connections on the address specified by \fIHOST\fR and port
414 specified by \fISERVICE\fR.
415 If \fIHOST\fR is omitted then listens on all local addresses.
417 Normally the server only listens on a UNIX domain socket.
420 Determines whether the server locks against concurrent operation.
421 Default is \fByes\fR.
422 There is no good reason to set this to \fBno\fR and the option will
423 probably be removed in a future version.
425 .B mixer \fIDEVICE\fR
426 The mixer device name, if it needs to be specified separately from
429 For \fBapi oss\fR this should be the path to the mixer device and the default
432 For \fBapi alsa\fR, this is the index of the mixer control to use.
435 For \fBapi coreaudio\fR, volume setting is not currently supported.
437 .B multicast_loop yes\fR|\fBno
438 Determines whether multicast packets are loop backed to the sending host.
439 The default is \fByes\fR.
440 This only applies if \fBapi\fR is set to \fBrtp\fR and \fBbroadcast\fR
441 is actually a multicast address.
443 .B multicast_ttl \fIHOPS\fR
444 Set the maximum number of hops to send multicast packets.
445 This only applies if \fBapi\fR is set to \fBrtp\fR and
446 \fBbroadcast\fR is actually a multicast address.
449 .B namepart \fIPART\fR \fIREGEXP\fR \fISUBST\fR [\fICONTEXT\fR [\fIREFLAGS\fR]]
450 Determines how to extract trackname part \fIPART\fR from a
451 track name (with the collection root part removed).
452 Used in \fB@recent@\fR, \fB@playing@\fR and \fB@search@\fR.
454 Track names can be different in different contexts.
455 For instance the sort string might include an initial track number,
456 but this would be stripped for the display string.
457 \fICONTEXT\fR should be a glob pattern matching the
458 contexts in which this directive will be used.
460 Valid contexts are \fBsort\fR and \fBdisplay\fR.
462 All the \fBnamepart\fR directives are considered in order.
463 The first directive for the right part, that matches the desired context,
464 and with a \fIREGEXP\fR that
465 matches the track is used, and the value chosen is constructed from
466 \fISUBST\fR according to the substitution rules below.
468 Note that searches use the raw track name and \fBtrackname_\fR preferences but
469 not (currently) the results of \fBnamepart\fR, so generating words via this option
470 that aren't in the original track name will lead to confusing results.
472 If you supply no \fBnamepart\fR directives at all then a default set will be
473 supplied automatically.
474 But if you supply even one then you must supply all of them.
475 The defaults are equivalent to:
478 namepart title "/([0-9]+ *[-:] *)?([^/]+)\\.[a-zA-Z0-9]+$" $2 display
479 namepart title "/([^/]+)\\.[a-zA-Z0-9]+$" $1 sort
480 namepart album "/([^/]+)/[^/]+$" $1 *
481 namepart artist "/([^/]+)/[^/]+/[^/]+$" $1 *
482 namepart ext "(\\.[a-zA-Z0-9]+)$" $1 *
485 .B new_bias \fIWEIGHT\fR
486 The weight for new tracks.
487 The default is 450000, i.e. recently added tracks are a fifty times as likely
488 to be picked as normal.
490 .B new_bias_age \fISECONDS\fR
491 The maximum age of tracks that \fBnew_bias\fR applies to, in seconds.
492 The default is one week.
495 The maximum number of tracks to list when reporting newly noticed tracks.
498 .B nice_rescan \fIPRIORITY\fR
499 Set the recan subprocess priority.
502 (Note that higher values mean the process gets less CPU time; UNIX priority
503 values are backwards.)
505 .B nice_server \fIPRIORITY\fR
506 Set the server priority.
507 This is applied to the server at startup time (and not when you reload
509 The server does not use much CPU itself but this value is inherited
510 by programs it executes.
511 If you have limited CPU then it might help to set this to a small
515 .B nice_speaker \fIPRIORITY\fR
516 Set the speaker process priority.
517 This is applied to the speaker process at startup time (and not when
518 you reload the configuration).
519 The speaker process is not massively CPU intensive by today's
520 standards but depends on reasonably timely scheduling.
521 If you have limited CPU then it might help to set this to a small
526 The maximum days that a track can survive in the database of newly added
530 .B player \fIPATTERN\fR \fIMODULE\fR [\fIOPTIONS.. [\fB\-\-\fR]] \fIARGS\fR...
531 Specifies the player for files matching the glob \fIPATTERN\fR.
532 \fIMODULE\fR specifies which plugin module to use.
534 The following options are supported:
537 .B \-\-wait\-for\-device\fR[\fB=\fIDEVICE\fR]
538 Waits (for up to a couple of seconds) for the default, or specified, libao
539 device to become openable.
542 Defines the end of the list of options.
543 Needed if the first argument to the plugin starts with a "\-".
546 The following are the standard modules:
549 .B exec \fICOMMAND\fR \fIARGS\fR...
550 The command is executed via \fBexecvp\fR(3), not via the shell.
551 The \fBPATH\fR environment variable is searched for the executable if it is not
553 The command is expected to know how to open its own sound device.
555 .B execraw \fICOMMAND\fR \fIARGS\fR...
556 Identical to the \fBexec\fR except that the player is expected to use the
557 DisOrder raw player protocol.
558 .BR disorder-decode (8)
559 can decode several common audio file formats to this format.
560 If your favourite format is not supported, but you have a player
561 which uses libao, there is also a libao driver which supports this format;
562 see below for more information about this.
564 .B shell \fR[\fISHELL\fR] \fICOMMAND\fR
565 The command is executed using the shell.
566 If \fISHELL\fR is specified then that is used, otherwise \fBsh\fR will be used.
567 In either case the \fBPATH\fR environment variable is searched for the shell
568 executable if it is not an absolute path.
569 The track name is stored in the environment variable
572 Be careful of the interaction between the configuration file quoting rules and
573 the shell quoting rules.
576 If multiple player commands match a track then the first match is used.
578 For the server to be able to calculate track lengths, there should be a
580 command corresponding to each
586 is used without arguments, the list of players is cleared.
588 .B prefsync \fISECONDS\fR
589 The interval at which the preferences log file will be synchronised.
590 Defaults to 3600, i.e. one hour.
592 .B queue_pad \fICOUNT\fR
593 The target size of the queue.
594 If random play is enabled then randomly picked tracks will be added until
595 the queue is at least this big.
598 .B reminder_interval \fISECONDS\fR
599 The minimum number of seconds that must elapse between password reminders.
600 The default is 600, i.e. 10 minutes.
602 .B remote_userman yes\fR|\fBno
603 User management over TCP connection is only allowed if this is set to
604 \fByes\fR. By default it is set to \fBno\fR.
606 .B replay_min \fISECONDS\fR
607 The minimum number of seconds that must elapse after a track has been played
608 before it can be picked at random. The default is 8 hours. If this is set to
609 0 then there is no limit, though current \fBdisorder-choose\fR will not pick
610 anything currently listed in the recently-played list.
612 .B sample_format \fIBITS\fB/\fIRATE\fB/\fICHANNELS
613 Describes the sample format expected by the \fBspeaker_command\fR (below).
614 The components of the format specification are as follows:
618 The number of bits per sample.
619 Optionally, may be suffixed by \fBb\fR or \fBl\fR for big-endian and
621 If neither is used the native byte order is assumed.
624 The number of samples per second.
627 The number of channels.
634 backend the sample format is forced to
638 backend it is forced to
640 in both cases regardless of what is specified in the configuration file.
644 Defines the signal to be sent to track player process groups when tracks are
646 The default is \fBSIGKILL\fR.
648 Signals are specified by their full C name, i.e. \fBSIGINT\fR and not \fBINT\fR
649 or \fBInterrupted\fR or whatever.
651 .B sox_generation \fB0\fR|\fB1
652 Determines whether calls to \fBsox\fR(1) should use \fB\-b\fR, \fB\-x\fR, etc (if
653 the generation is 0) or \fB\-\fIbits\fR, \fB\-L\fR etc (if it is 1).
654 See the documentation for your installed copy of \fBsox\fR to determine
656 The default is set according to the version of sox found when DisOrder was
658 If you run on a system with a different version of sox, you will need to
661 .B speaker_backend \fINAME
662 This is an alias for \fBapi\fR; see above.
664 .B speaker_command \fICOMMAND
665 Causes the speaker subprocess to pipe audio data into shell command
666 \fICOMMAND\fR, rather than writing to a local sound card.
667 The sample format is determine by
671 Note that if the sample format is wrong then
673 is invoked to translate it.
676 is not installed then this will not work.
678 .B scratch \fIPATH\fR
680 When a track is scratched, a scratch track is played at random.
681 Scratches are played using the same logic as other tracks.
683 At least for the time being, path names of scratches must be encoded using
684 UTF-8 (which means that ASCII will do).
686 If \fBscratch\fR is used without arguments then the list of scratches is
689 .B stopword \fIWORD\fR ...
690 Specifies one or more stopwords that should not take part in searches
693 If \fBstopword\fR is used without arguments then the list of stopwords is
696 There is a default set of stopwords built in, but this option can be used to
697 augment or replace that list.
699 .B tracklength \fIPATTERN\fR \fIMODULE\fR
700 Specifies the module used to calculate the length of files matching
702 \fIMODULE\fR specifies which plugin module to use.
704 If \fBtracklength\fR is used without arguments then the list of modules is
707 .B user \fIUSERNAME\fR
708 Specifies the user to run as.
709 Only makes sense if invoked as root (or the target user).
710 .SS "Client Configuration"
711 These options would normally be used in \fI~\fRUSERNAME\fI/.disorder/passwd\fR
713 \fIpkgconfdir/config.\fRUSERNAME.
715 .B connect \fIHOST SERVICE\fR
716 Connect to the address specified by \fIHOST\fR and port specified by
719 .B password \fIPASSWORD\fR
722 .B username \fIUSERNAME\fR
724 The default is inferred from the current UID.
725 .SS "Web Interface Configuration"
726 .\" TODO this section is misnamed really...
728 .B mail_sender \fIADDRESS\fR
729 The email address that appears in the From: field of any mail messages sent by
731 This must be set if you have online registration enabled.
733 .B refresh \fISECONDS\fR
734 Specifies the maximum refresh period in seconds.
737 .B sendmail \fIPATH\fR
738 The path to the Sendmail executable.
739 This must support the \fB-bs\fR option (Postfix, Exim and Sendmail should all
741 The default is the sendmail executable found at compile time.
743 .B short_display \fICHARACTERS\fR
744 Defines the maximum number of characters to include in a \fBshort\fR name
748 .B smtp_server \fIHOSTNAME\fR
749 The hostname (or address) of the SMTP server to use for sending mail.
750 The default is 127.0.0.1.
751 If \fBsendmail\fR is set then that is used instead.
753 .B transform \fITYPE\fR \fIREGEXP\fR \fISUBST\fR [\fICONTEXT\fR [\fIREFLAGS\fR]]
754 Determines how names are sorted and displayed in track choice displays.
756 \fITYPE\fR is the type of transformation; usually \fBtrack\fR or
757 \fBdir\fR but you can define your own.
759 \fICONTEXT\fR is a glob pattern matching the context.
760 Standard contexts are \fBsort\fR (which determines how directory names
761 are sorted) and \fBdisplay\fR (which determines how they are displayed).
762 Again, you can define your own.
764 All the \fBtransform\fR directives are considered in order.
765 If the \fITYPE\fR, \fIREGEXP\fR and the \fICONTEXT\fR match
766 then a new track name is constructed from
767 \fISUBST\fR according to the substitution rules below.
768 If several match then each is executed in order.
770 If you supply no \fBtransform\fR directives at all then a default set will be
771 supplied automatically.
772 But if you supply even one then you must supply all of them.
776 transform track "^.*/([0-9]+ *[-:] *)?([^/]+)\\.[a-zA-Z0-9]+$" $2 display
777 transform track "^.*/([^/]+)\\.[a-zA-Z0-9]+$" $1 sort
778 transform dir "^.*/([^/]+)$" $1 *
779 transform dir "^(the) ([^/]*)" "$2 $1" sort i
780 transform dir "[[:punct:]]" "" sort g
784 Specifies the URL of the web interface.
785 This URL will be used in generated web pages.
786 The default is inferred at runtime, so this option no
787 longer needs to be specified.
789 This must be the full URL, e.g. \fBhttp://myhost/cgi-bin/jukebox\fR and not
790 \fB/cgi-bin/jukebox\fR.
791 .SH "GLOBAL PREFERENCES"
793 .SS "Raw Protocol Players"
794 Raw protocol players are expected to use the \fBdisorder\fR libao driver.
795 Programs that use libao generally have command line options to select the
796 driver and pass options to it.
798 The known driver options are:
801 The file descriptor to write to.
802 If this is not specified then the driver looks like the environment
803 variable \fBDISORDER_RAW_FD\fR.
804 If that is not set then the default is 1 (i.e. standard output).
807 If this is set to a nonzero value then the driver will call \fB_exit\fR(2) if a
808 write to the output file descriptor fails.
809 This is a workaround for buggy players such as \fBogg123\fR that ignore
811 .SH "REGEXP SUBSTITUTION RULES"
812 Regexps are PCRE regexps, as defined in \fBpcrepattern\fR(3).
813 The only option used is \fBPCRE_UTF8\fR.
814 Remember that the configuration file syntax means you have to
815 escape backslashes and quotes inside quoted strings.
817 In a \fISUBST\fR string the following sequences are interpreted
821 These expand to the first to ninth bracketed subexpression.
824 This expands to the matched part of the subject string.
827 This expands to a single \fB$\fR symbol.
829 All other pairs starting with \fB$\fR are undefined (and might be used
830 for something else in the future, so don't rely on the current
833 If \fBi\fR is present in \fIREFLAGS\fR then the match is case-independent.
834 If \fBg\fR is present then all matches are replaced, otherwise only the first
836 .SH "TRACK NAME PARTS"
837 The traditional track name parts are \fBartist\fR, \fBalbum\fR and \fBtitle\fR,
838 with the obvious intended meaning.
839 These are controlled by configuration and by \fBtrackname_\fR preferences.
841 In addition there are two built-in parts, \fBpath\fR which is the whole path
842 name and \fBext\fR which is the filename extension, including the initial dot
843 (or the empty string if there is not extension).
845 \fBdisorder\fR(1), \fBsox\fR(1), \fBdisorderd\fR(8), \fBdisorder\-dump\fR(8),
846 \fBpcrepattern\fR(3), \fBdisorder_templates\fR(5), \fBdisorder_actions\fR(5),
847 \fBdisorder.cgi\fR(8), \fBdisorder_preferences\fR(5)
~mdw / disorder / blob