X-Git-Url: https://www.chiark.greenend.org.uk/ucgi/~mdw/git/mup/blobdiff_plain/cdb3c0882392596f814cf939cbfbd38adc6f2bfe..ddf6330b56bcfb657e0186b24b9b1422c51d3424:/mup/docs/mup.1 diff --git a/mup/docs/mup.1 b/mup/docs/mup.1 new file mode 100644 index 0000000..39f8645 --- /dev/null +++ b/mup/docs/mup.1 @@ -0,0 +1,219 @@ +.TH mup 1 "Sep 25, 2006" "Arkkra Enterprises" +.SH NAME +.PP +mup - music publisher +.SH SYNOPSIS +.PP +\fBmup\fP [\fB-c\fP\fIN\fP] [-C] [\fB-d\fP\fIN\fP] [\fB-D\fP \fIMACRO[=macro-def\fP]] +[\fB-e\fP \fIerrfile\fP] [-E] +[\fB-f\fP \fIoutfile\fP] [\fB-F\fP] [\fB-m\fP \fImidifile\fP] [\fB-M\fP] [\fB-o\fP \fIpagelist\fP] [\fB-p\fP\fIN\fP] +[\fB-v\fP] [\fB-x\fP \fIN\fP[,\fIM\fP] [\fIfile...\fP] +.SH DESCRIPTION +.PP +Mup is a program for producing printed music. +There is an optional companion program called Mupmate +that provides a more graphical user interface on top of Mup, +but this manual page describes the command line interface. +The Mup User's Guide should be consulted for details of the format of the +input file. +Options include: +.TP +\fB-c\fP \fIN\fP +Combine consecutive measures of all rests or spaces into multirests (multiple +measures of rest printed as a single measure, with the number of measures of +rest printed above the staff). +Any time there +are \fIN\fP or more measures in a row that consist entirely of rests or spaces, +they will be replaced by a multirest. The combining of measures +stops when there is a visible staff that contains notes, +lyrics, or other musical symbols, +when there are parameter changes on a visible staff or in score context, or +when there is a bar line other than an ordinary or invisible bar. +This option is most likely to be useful when printing a subset of staffs, +where the particular staff(s) you are printing have long periods of rests. +(See the -s option.) +.TP +\fB-C\fP +This option is only used in connection with the -E option. +It specifies that comments +are to be passed through rather than deleted. +.TP +\fB-d\fP \fIN\fP +Print debugging information. \fIN\fP is a bitmap. +.RS 4 +.TP +1 +parse phase information +.TP +2 +high level parse phase tracing +.TP +4 +low level parse phase tracing +.TP +8 +reserved +.TP +16 +high level placement phase tracing +.TP +32 +low level placement phase tracing +.TP +64 +reserved +.TP +128 +contents of the main internal list +.TP +256 +high level print phase tracing +.TP +512 +low level print phase tracing +.RE +.IP +\fIN\fP can be specified in decimal, octal +(by using a leading zero), or hex (by using a leading 0x). +This information is intended for debugging of +\fBMup\fP itself and thus is not likely to be of use to the average user. +.TP +\fB-D\fP \fIMACRO[=macro-def]\fP +Define the macro \fIMACRO\fP. The +macro name must consist of upper case letters, +digits, and underscores, beginning +with an upper case letter. The \fImacro_def\fP is optional, and gives the +text of the macro. If it contains any white space or other special characters, +it must be quoted (if quoting is supported by your operating system or shell). +.TP +\fB-e\fP \fIerrfile\fP +Place error messages into \fIerrfile\fP instead of writing them to the standard +error output stream. +.TP +\fB-E\fP +Rather than produce PostScript or MIDI output, just expand macros and +includes, and write the result to the standard output stream. +Comments in the input are deleted, unless the -C option is also specified. +.TP +\fB-f\fP \fIoutfile\fP +Place the output into \fIoutfile\fP instead of writing it to the +standard output. +.TP +\fB-F\fP +This is like the \fB-f\fP option, except the name of the output file is +derived from the name of the Mup input file. If the name of the Mup input +file ends with a ".mup" suffix, the generated PostScript output +file will end with a ".ps" suffix instead. +If the name of the Mup input file ends with +a ".MUP" suffix, the PostScript file will end with a ".PS" suffix. +Otherwise, a ".ps" suffix will be appended to the end of the Mup +input file name. If multiple input files are listed, the last is used. +If none are specified (input is read from standard input), +the name "stdin.ps" will be used for the output file. +.TP +\fB-m\fP \fImidifile\fP +Instead of generating PostScript output, +generate standard MIDI (Musical Instrument Digital Interface) output, +and put it in \fImidifile\fP. +This option also causes the macro "MIDI" to become defined. +.TP +\fB-M\fP +This is like the \fB-m\fP option, except the name of the MIDI file is +derived from the name of the Mup input file. If the name of the Mup input +file ends with a ".mup" suffix, the generated MIDI file will end with +a ".mid" suffix instead. If the name of the Mup input file ends with +a ".MUP" suffix, the MIDI file will end with a ".MID" suffix. +Otherwise, a ".mid" suffix will be appended to the end of the Mup +input file name. If multiple input files are listed, the last is used. +If none are specified (input is read from standard input), +the name "stdin.mid" will be used for the MIDI file. +.TP +\fB-o\fP \fIpagelist\fP +Print only the pages given in \fIpagelist\fP. The \fIpagelist\fP can be +a comma-separated list of numbers or ranges, where a range is two numbers +separated by a dash. For example, -o1,7-9,12-14 would print pages 1, 7, 8, +9, 12, 13, and 14. Pages will be printed in the order given. +They need not be in order, and a page +number may be included more than once. +Alternately, the \fIpagelist\fP can be the special +keyword "odd" or "even" which will cause all odd or even numbered pages +to be printed. This may be useful if you have a printer that only makes +single-sided copies, but you wish to print Mup output double-sided. You could +print odd-numbered pages, then turn the paper over and feed the pages +through again for the even-numbered pages. +.TP +\fB-p\fP\fIN\fP +Start numbering pages at \fIN\fP instead of at 1. +If \fB-o\fP and \fB-p\fP are used together, the page numbers given in the +\fB-o\fP\fIpagelist\fP must be the printed page numbers. For example, if you +use -p10 and want to print just the second page, +you would need to specify -o11. +.TP +\fB-r\fP +Print a copy of the Mup shareware registration form to the standard output. +.TP +\fB-s\fP\fIstafflist\fP +Only print the staffs that are included in \fIstafflist\fP. This can be a +comma-separated list of staff numbers or ranges, such as "1,5" or "1-3,7-8" +To further restrict to a single voice on a staff, add \fBv\fP\fIN\fP where +\fIN\fP is the voice number (1, 2, or 3), after the staff, as in "2v1,5v2" +You can't specify a list or range for voices; +if you only want to make two out of three voices visible, +you have to specify them separately, like "1v2,1v3". +No spaces are allowed in the list. +.TP +\fB-v\fP +Print the Mup version number and exit. This manual page is for version 5.3. +.TP +\fB-x\fP\fIM,N\fP +Extract measures \fIM\fP through \fIN\fP of the song. This allows you to print +or play a part of a song. The comma and second value are optional; +if not specified, the default is to go to the end of the piece. +Positive values specify the number of measures from the beginning of the piece, +while negative values are relative to the end, with -1 referring to the +last measure of the song. +So -x1,-1 means the entire song, if the song doesn't have a pickup measure. +If the song has a pickup measure, that is specified by 0. +So for a song with a pickup, -x0,-1 would mean the entire song, +and -x0,0 would mean just the pickup measure. +As other examples, -x-1,-1 means just the final measure of the song, +-x2 means starting after the first full measure, -x3,4 means only +measures 3 and 4, and -x6,6 means just measure 6. +The starting measure is not allowed to be inside an ending. +A common use for this option might be to generate a MIDI file +for just a few measures. For example, if you were +trying to tweak tempo values for a ritard in the last 2 measures of a song, +you could use -x-2 to listen to just those measures. +.PP +The options, if any, can be followed by one or more \fIfiles\fP in Mup format. +If no \fIfiles\fP are specified, standard input is read. +If several \fIfiles\fP are listed, they are effectively concatenated together +and treated as one big file. Since there are some things (such as header +and footer) that are only allowed to occur once, if you have several independent +pieces, mup should be called on each individually rather than trying to +print them all with one command. +If a specified file does not exist, and its name does not already end +with .mup or .MUP, then Mup will append .mup to the specified name and +attempt to open that. +.PP +On most systems, the environment variable MUPPATH can be set +to a list of paths in which to look for 'include' files. +The components are separated by a colon on Unix or Linux systems, and by a +semicolon on systems with DOS-like file naming conventions. +.PP +For more debugging, in addition to the -d option, +if the environment variable MUP_BB is set to "bcfghnsu" or any subset +of those letters, the generated output will include "bounding +boxes" for the things Mup internally calls bars (b), chords (c), feeds (f), +grpsyls (g), header/footer and top/bottom (h), +notes (n), staffs (s), and stuff (u). +While this is intended for use in debugging Mup itself, it may also +help you understand why Mup places things the way it does, +since in general, Mup only allows bounding boxes to overlap according +to specific rules. If viewed with a color PostScript viewer (not mupdisp), +these boxes will be in color. +.SH "SEE ALSO" +.PP +gs(1), mkmupfnt(1), mupdisp(1), mupmate(1), mupprnt(1). +.br +Mup \(em Music Publisher User's Guide