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3Cross-staff stems
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12<H3>
13Cross-staff stems
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15<P>
16Sometimes, on music for instruments that use more than one staff,
17you may want some of the notes of a chord to be printed on
18the staff above or below, rather than using a lot of leger lines.
19You can specify this by putting the word &quot;with&quot; before the notes that
20are to go on the other staff, and following those notes with &quot;above&quot; or &quot;below&quot;
21to specify which is the other staff.
22For example:
23<BR><PRE>
24score
25 staffs=2
26staff 2
27 clef=bass
28music
29
301: 1e+g+c++;
312: cc+; ee+; g with g+ above; with c+c++ above;
32bar
33
341: cc+; g with g- below; e with e- below; with cc- below;
352: 1c-e-g-;
36bar
37</PRE><BR>
38<IMG SRC="mugex21.gif" ALT="Picture of Mup output"><BR>
39</P>
40<P>
41The notes for the other staff have to follow the notes on the normal staff in
42the input. As is shown in the example,
43it is possible to have <I>all</I> the notes on the &quot;other&quot; staff, if you wish.
44The octave is specified as if the note were on the normal staff;
45Mup will automatically adjust appropriately for the other staff's clef.
46Once in a while, Mup may not be able to figure out how to completely
47avoid colliding with other notes; in that case you can use the
48<A HREF="chrdattr.html#hoffset">horizontal offset</A>
49that was described earlier.
50</P>
51<P>
52For
53<A HREF="midi.html">MIDI</A>
54purposes, only the normal staff's key signature and accidentals are
55considered, so if the other staff has a different
56<A HREF="param.html#key">key signature</A>
57or accidentals that should really apply to these notes, you will have
58to supply accidentals explicitly.
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