.\" .\" Copyright (C) 2004, 2005, 2006 Richard Kettlewell .\" .\" This program is free software; you can redistribute it and/or modify .\" it under the terms of the GNU General Public License as published by .\" the Free Software Foundation; either version 2 of the License, or .\" (at your option) any later version. .\" .\" This program is distributed in the hope that it will be useful, but .\" WITHOUT ANY WARRANTY; without even the implied warranty of .\" MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU .\" General Public License for more details. .\" .\" You should have received a copy of the GNU General Public License .\" along with this program; if not, write to the Free Software .\" Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 .\" USA .\" .TH disorder_config 5 .SH NAME pkgconfdir/config - DisOrder jukebox configuration .SH DESCRIPTION The purpose of DisOrder is to organize and play digital audio files, under the control of multiple users. \fIpkgconfdir/config\fR is the primary configuration file but this man page currently documents all of its various configuration files. .SS Tracks DisOrder can be configured with multiple collections of tracks, indexing them by their filename, and picking players on the basis of filename patterns (for instance, "*.mp3"). .PP Although the model is of filenames, it is not inherent that there are corresponding real files - merely that they can be interpreted by the chosen player. See \fBdisorder\fR(3) for more details about this. .PP Each track can have a set of preferences associated with it. These are simple key-value pairs; they can be used for anything you like, but a number of keys have specific meanings. See \fBdisorder\fR(1) for more details about these. .SS "Track Names" Track names are derived from filenames under the control of regular expressions, rather than attempting to interpret format-specific embedded name information. They can be overridden by setting preferences. .PP Names for display are distinguished from names for sorting, so with the right underlying filenames an album can be displayed in its original order even if the displayed track titles are not lexically sorted. .SS "Server State" A collection of global preferences define various bits of server state: whether random play is enabled, what tags to check for when picking at random, etc. .SS "Users And Access Control" DisOrder distinguishes between multiple users. This is for access control and reporting, not to provide different views of the world: i.e. preferences and so on are global. .PP It's possible to restrict a small number of operations to a specific subset of users. However, it is assumed that every user is supposed to be able to do most operations - since the users are all sharing the same audio environment they are expected to cooperate with each other. .PP Access control is entirely used-based. If you configure DisOrder to listen for TCP/IP connections then it will accept a connection from anywhere provided the right password is available. Passwords are never transmitted over TCP/IP connections in clear, but everything else is. The expected model is that host-based access control is imposed at the network layer. .SS "Web Interface" The web interface is controlled by a collection of template files, one for each kind of page, and a collection of option files. These are split up and separate from the main configuration file to make it more convenient to override specific bits. .PP The web interface connects to the DisOrder server like any other user, though it is given a special privilege to "become" any other user. (Thus, any process with the same UID as the web interface is very powerful as far as DisOrder goes.) .PP Access control to the web interface is (currently) separate from DisOrder's own access control (HTTP authentication is required) but uses the same user namespace. .SH "CONFIGURATION FILE" .SS "General Syntax" Lines are split into fields separated by whitespace (space, tab, line feed, carriage return, form feed). Comments are started by the number sign ("#"). .PP Fields may be unquoted (in which case they may not contain spaces and may not start with a quotation mark or apostrophe) or quoted by either quotation marks or apostrophes. Inside quoted fields every character stands for itself, except that a backslash can only appear as part of one of the following escape sequences: .TP .B \e\e Backslash .TP .B \e" Quotation mark .\" " .TP .B \e' Apostrophe .TP .B \en Line feed .PP No other escape sequences are allowed. .PP Within any line the first field is a configuration command and any further fields are parameters. Lines with no fields are ignored. .PP After editing the config file use \fBdisorder reconfigure\fR to make it re-read it. If there is anything wrong with it the daemon will record a log message and ignore the new config file. (You should fix it before next terminating and restarting the daemon, as it cannot start up without a valid config file.) .SS "Global Configuration" .TP .B home \fIDIRECTORY\fR The home directory for state files. Defaults to .IR pkgstatedir . .TP .B plugin \fIPATH\fR Adds a directory to the plugin path. (This is also used by the web interface.) .IP Plugins are opened the first time they are required and never after, so after changing a plugin you must restart the server before it is guaranteed to take effect. .SS "Server Configuration" .TP .B alias \fIPATTERN\fR Defines the pattern use construct virtual filenames from \fBtrackname_\fR preferences. .IP Most characters stand for themselves, the exception being \fB{\fR which is used to insert a track name part in the form \fB{\fIname\fB}\fR or \fB{/\fIname\fB}\fR. .IP The difference is that the first form just inserts the name part while the second prefixes it with a \fB/\fR if it is nonempty. .IP The pattern should not attempt to include the collection root, which is automatically included, but should include the proper extension. .IP The default is \fB{/artist}{/album}{/title}{ext}\fR. .TP .B channel \fICHANNEL\fR The mixer channel that the volume control should use. Valid names depend on your operating system and hardware, but some standard ones that might be useful are: .RS .TP 8 .B pcm Output level for the audio device. This is probably what you want. .TP .B speaker Output level for the PC speaker, if that is connected to the sound card. .TP .B pcm2 Output level for alternative codec device. .TP .B vol Master output level. The OSS documentation recommends against using this, as it affects all output devices. .RE .IP You can also specify channels by number, if you know the right value. .TP .B collection \fIMODULE\fR \fIENCODING\fR \fIROOT\fR Define a collection of tracks. .IP \fIMODULE\fR defines which plugin module should be used for this collection. Use the supplied \fBfs\fR module for tracks that exists as ordinary files in the filesystem. .IP \fIENCODING\fR defines the encoding of filenames in this collection. For \fBfs\fR this would be the encoding you use for filenames. Examples might be \fBiso-8859-1\fR or \fButf-8\fR. .IP \fIROOT\fR is the root in the filesystem of the filenames and is passed to the plugin module. .TP .B device \fINAME\fR ALSA device to play raw-format audio. Default is \fBdefault\fR, i.e. to use the whatever the ALSA configured default is. .TP .B gap \fISECONDS\fR Specifies the number of seconds to leave between tracks. The default is 2. .TP .B history \fIINTEGER\fR Specifies the number of recently played tracks to remember (including failed tracks and scratches). .TP .B listen \fR[\fIHOST\fR] \fISERVICE\fR Listen for connections on the address specified by \fIHOST\fR and port specified by \fISERVICE\fR. If \fIHOST\fR is omitted then listens on all local addresses. .IP Normally the server only listens on a UNIX domain socket. .TP .B lock yes\fR|\fBno Determines whether the server locks against concurrent operation. Default is \fByes\fR. .TP .B mixer \fIPATH\fR The path to the mixer device, if you want access to the volume control, e.g. \fB/dev/mixer\fR. .TP .B namepart \fIPART\fR \fIREGEXP\fR \fISUBST\fR [\fICONTEXT\fR [\fIREFLAGS\fR]] Determines how to extract trackname part \fIPART\fR from a track name (with the collection root part removed). Used in \fB@recent@\fR, \fB@playing@\fR and \fB@search@\fR. .IP Track names can be different in different contexts. For instance the sort string might include an initial track number, but this would be stripped for the display string. \fICONTEXT\fR should be a glob pattern matching the contexts in which this directive will be used. .IP Valid contexts are \fBsort\fR and \fBdisplay\fR. .IP All the \fBnamepart\fR directives are considered in order. The first directive for the right part, that matches the desired context, and with a \fIREGEXP\fR that matches the track is used, and the value chosen is constructed from \fISUBST\fR according to the substitution rules below. .IP Note that searches use the raw track name and \fBtrackname_\fR preferences but not (currently) the results of \fBnamepart\fR, so generating words via this option that aren't in the original track name will lead to confusing results. .IP If you supply no \fBnamepart\fR directives at all then a default set will be supplied automatically. But if you supply even one then you must supply all of them. See the example config file for the defaults. .TP .B nice_rescan \fIPRIORITY\fR Set the recan subprocess priority. The default is 10. .IP (Note that higher values mean the process gets less CPU time; UNIX priority values are the backwards.) .TP .B nice_server \fIPRIORITY\fR Set the server priority. This is applied to the server at startup time (and not when you reload configuration). The server does not use much CPU itself but this value is inherited by programs it executes. If you have limited CPU then it might help to set this to a small negative value. The default is 0. .TP .B nice_speaker \fIPRIORITY\fR Set the speaker process priority. This is applied to the speaker process at startup time (and not when you reload the configuration). The speaker process is not massively CPU intensive by today's standards but depends on reasonably timely scheduling. If you have limited CPU then it might help to set this to a small negative value. The default is 0. .TP .B player \fIPATTERN\fR \fIMODULE\fR [\fIOPTIONS.. [\fB--\fR]] \fIARGS\fR... Specifies the player for files matching the glob \fIPATTERN\fR. \fIMODULE\fR specifies which plugin module to use. .IP The following options are supported: .RS .TP .B --wait-for-device\fR[\fB=\fIDEVICE\fR] Waits (for up to a couple of seconds) for the default, or specified, libao device to become openable. .TP .B -- Defines the end of the list of options. Needed if the first argument to the plugin starts with a "-". .RE .IP The following are the standard modules: .RS .TP .B exec \fICOMMAND\fR \fIARGS\fR... The command is executed via \fBexecvp\fR(3), not via the shell. The \fBPATH\fR environment variable is searched for the executable if it is not an absolute path. The command is expected to know how to open its own sound device. .TP .B execraw \fICOMMAND\fR \fIARGS\fR... Identical to the \fBexec\fR except that the player is expected to use the DisOrder raw player protocol (see notes below). .TP .B shell \fR[\fISHELL\fR] \fICOMMAND\fR The command is executed using the shell. If \fISHELL\fR is specified then that is used, otherwise \fBsh\fR will be used. In either case the \fBPATH\fR environment variable is searched for the shell executable if it is not an absolute path. The track name is stored in the environment variable \fBTRACK\fR. .IP Be careful of the interaction between the configuration file quoting rules and the shell quoting rules. .RE .IP If multiple player commands match a track then the first match is used. .TP .B prefsync \fISECONDS\fR The interval at which the preferences log file will be synchronised. Defaults to 3600, i.e. one hour. .TP .B signal \fINAME\fR Defines the signal to be sent to track player process groups when tracks are scratched. The default is \fBSIGKILL\fR. .IP Signals are specified by their full C name, i.e. \fBSIGINT\fR and not \fBINT\fR or \fBInterrupted\fR or whatever. .TP .B restrict \fR[\fBscratch\fR] [\fBremove\fR] [\fBmove\fR] Determine which operations are restricted to the submitter of a track. By default, no operations are restricted, i.e. anyone can scratch or remove anything. .IP If \fBrestrict scratch\fR or \fBrestrict remove\fR are set then only the user that submitted a track can scratch or remove it, respectively. .IP If \fBrestrict move\fR is set then only trusted users can move tracks around in the queue. .IP If \fBrestrict\fR is used more than once then only the final use has any effect. .TP .B scratch \fIPATH\fR Specifies a scratch. When a track is scratched, a scratch track is played at random. Scratches are played using the same logic as other tracks. .IP At least for the time being, path names of scratches must be encoded using UTF-8 (which means that ASCII will do). .TP .B stopword \fIWORD\fR ... Specifies one or more stopwords that should not take part in searches over track names. .SS "Client Configuration" .TP .B connect \fR[\fIHOST\fR] \fISERVICE\fR Connect to the address specified by \fIHOST\fR and port specified by \fISERVICE\fR. If \fIHOST\fR is omitted then connects to the local host. Normally the UNIX domain socket is used instead. .SS "Web Interface Configuration" .TP .B refresh \fISECONDS\fR Specifies the maximum refresh period in seconds. Default 15. .TP .B templates \fIPATH\fR ... Specifies the directory containing templates used by the web interface. If a template appears in more than one template directory then the one in the earliest directory specified is chosen. .IP See below for further details. .TP .B transform \fITYPE\fR \fIREGEXP\fR \fISUBST\fR [\fICONTEXT\fR [\fIREFLAGS\fR]] Determines how names are sorted and displayed in track choice displays. .IP \fITYPE\fR is the type of transformation; usually \fBtrack\fR or \fBdir\fR but you can define your own. .IP \fICONTEXT\fR is a glob pattern matching the context. Standard contexts are \fBsort\fR (which determines how directory names are sorted) and \fBdisplay\fR (which determines how they are displayed). Again, you can define your own. .IP All the \fBtransform\fR directives are considered in order. If the \fITYPE\fR, \fIREGEXP\fR and the \fICONTEXT\fR match then a new track name is constructed from \fISUBST\fR according to the substitution rules below. If several match then each is executed in order. .IP If you supply no \fBtransform\fR directives at all then a default set will be supplied automatically. But if you supply even one then you must supply all of them. See the example config file for the defaults. .TP .B url \fIURL\fR Specifies the URL of the web interface. This URL will be used in generated web pages. .IP This must be the full URL, e.g. \fBhttp://myhost/cgi-bin/jukebox\fR and not \fB/cgi-bin/jukebox\fR. .SS "Authentication Configuration" .TP .B allow \fIUSERNAME\fR \fIPASSWORD\fR Specify a username/password pair. .TP .B password \fIPASSWORD\fR Specify password. .TP .B trust \fIUSERNAME\fR Allow \fIUSERNAME\fR to perform privileged operations such as shutting down or reconfiguring the daemon, or becoming another user. .TP .B user \fIUSER\fR Specifies the user to run as. Only makes sense if invoked as root (or the target user). .TP .B username \fIUSERNAME\fR Specify username. The default is taken from the environment variable \fBLOGNAME\fR. .PP Configuration files are read in the following order: .TP .I pkgconfdir/config .TP .I pkgconfdir/config.private Should be readable only by the jukebox group, and contain \fBallow\fR commands for authorised users. .TP .I pkgconfdir/config.\fRUSER Per-user system-controlled client configuration. Optional but if it exists must be readable only by the relevant user. Would normally contain a \fBpassword\fR directive. .TP .I ~\fRUSER\fI/.disorder/passwd Per-user client configuration. Optional but if it exists must be readable only by the relevant user. Would normally contain a \fBpassword\fR directive. .SH "GLOBAL PREFERENCES" These are the values set with \fBset-global\fR. .TP .B required-tags If this is set an nonempty then randomly played tracks will always have at least one of the listed tags. .IP Tags can contain any printing character except comma. Leading and trailing spaces are not significant but internal spaces are. Tags in a list are separated by commas. .TP .B prohibited-tags If this is set an nonempty then randomly played tracks will never have any of the listed tags. .TP .B playing If unset or \fByes\fR then play is enabled. Otherwise it is disabled. Use \fBdisable\fR rather than setting it directly. .TP .B random-play If unset or \fByes\fR then random play is enabled. Otherwise it is disabled. Use \fBdisable\fR rather than setting it directly. .SH "LIBAO DRIVER" .SS "Raw Protocol Players" Raw protocol players are expected to use the \fBdisorder\fR libao driver. Programs that use libao generally have command line options to select the driver and pass options to it. .SS "Driver Options" The known driver options are: .TP .B fd The file descriptor to write to. If this is not specified then the driver looks like the environment variable \fBDISORDER_RAW_FD\fR. If that is not set then the default is 1 (i.e. standard output). .TP .B fragile If this is set to a nonzero value then the driver will call \fB_exit\fR(2) if a write to the output file descriptor fails. This is a workaround for buggy players such as \fBogg123\fR that ignore write errors. .SH "WEB TEMPLATES" When \fBdisorder.cgi\fR wants to generate a page for an action it searches the directories specified with \fBtemplates\fR for a matching file. It is suggested that you leave the distributed templates unchanged and put any customisations in an earlier entry in the template path. .PP The supplied templates are: .TP .B about.html Display information about DisOrder. .TP .B choose.html Navigates through the track database to choose a track to play. The \fBdir\fR argument gives the directory to look in; if it is missing then the root directory is used. .TP .B choosealpha.html Provides a front end to \fBchoose.html\fR which allows subsets of the top level directories to be selected by initial letter. .TP .B playing.html The "front page", which usually shows the currently playing tracks and the queue. Gets an HTTP \fBRefresh\fR header. .IP If the \fBmgmt\fR CGI argument is set to \fBtrue\fR then we include extra buttons for moving tracks up and down in the queue. There is some logic in \fBdisorder.cgi\fR to ensure that \fBmgmt=true\fR is preserved across refreshes and redirects back into itself, but URLs embedded in web pages must include it explicitly. .TP .B prefs.html Views preferences. If the \fBfile\fR, \fBname\fR and \fBvalue\fR arguments are all set then that preference is modified; if \fBfile\fR and \fBname\fR are set but not \fBvalue\fR then the preference is deleted. .TP .B recent.html Lists recently played tracks. .TP .B search.html Presents search results. .TP .B volume.html Primitive volume control. .PP Additionally, other standard files are included by these: .TP .B credits.html Included at the end of the main content \fB
\fR element. .TP .B sidebar.html Included at the start of the \fB\fR element. .TP .B stdhead.html Included in the \fB\fR element. .TP .B stylesheet.html Contains the default DisOrder stylesheet. You can override this by editing the CSS or by replacing it all with a \fB\fR to an external stylesheet. .PP Templates are ASCII files containing HTML documents, with an expansion syntax to enable data supplied by the implementation to be inserted. .PP If you want to use characters outside the ASCII range, use either the appropriate HTML entity, e.g. \fBé\fR, or an SGML numeric character reference, e.g. \fBý\fR. Use \fB@\fR to insert a literal \fB@\fR without falling foul of the expansion syntax. .SS "Expansion Syntax" Expansions are surrounded by at ("@") symbols take the form of a keyword followed by zero or more arguments. Arguments may either be quoted by curly brackets ("{" and "}") or separated by colons (":"). Both kinds may be mixed in a single expansion, though doing so seems likely to cause confusion. The descriptions below contain suggested forms for each expansion. .PP Leading and trailing whitespace in unquoted arguments is ignored, as is whitespace (including newlines) following a close bracket ("}"). .PP Arguments are recursively expanded before being interpreted, except for \fITEMPLATE\fR arguments. These are expanded (possibly more than once) to produce the final expansion. (More than once means the same argument being expanded more than once for different tracks or whatever, not the result of the first expansion itself being re-expanded.) .PP Strings constructed by expansions (i.e. not literally copied from the template text) are SGML-quoted: any character which does not stand for itself in #PCDATA or a quoted attribute value is replaced by the appropriate numeric character reference. .PP The exception to this is that such strings are \fInot\fR quoted when they are generated in the expansion of a parameter. .PP In the descriptions below, the current track means the one set by \fB@playing@\fR, \fB@recent@\fR or \fB@queue@\fR, not the one that is playing. If none of these expansions are in force then there is no current track. \fIBOOL\fR should always be either \fBtrue\fR or \fBfalse\fR. .SS "Expansions" The following expansion keywords are defined: .TP .B @#{\fICOMMENT\fB}@ Ignored. .TP .B @action@ The current action. This reports .B manage if the action is really .B playing but .B mgmt=true was set. .TP .B @and{\fIBOOL\fB}{\fIBOOL\fB}\fR...\fB@ If there are no arguments, or all the arguments are \fBtrue\fB, then expands to \fBtrue\fR, otherwise to \fBfalse\fR. .TP .B @arg:\fINAME\fB@ Expands to the value of CGI script argument \fINAME\fR. .TP .B @basename@ The basename of the current directory component, in \fB@navigate@\fR. .TP .B @basename{\fIPATH\fB}@ The base name part of \fIPATH\fR. .TP .B @choose{\fIWHAT\fB}{\fITEMPLATE\fB}@ Expands \fITEMPLATE\fR repeatedly for each file or directory under \fB@arg:directory@\fR. \fIWHAT\fR should be either \fBfile\fR or \fBdirectory\fR. Use \fB@file@\fR to get the display name or filename of the file or directory. Usually used in \fBchoose.html\fR. .TP .B @dirname@ The directory of the current directory component, in \fB@navigate@\fR. .TP .B @dirname{\fIPATH\fB}@ The directory part of \fIPATH\fR. .TP .B @enabled@ Expands to \fBtrue\fR if play is currently enabled, otherwise to \fBfalse\fR. .TP .B @eq{\fIA\fB}{\fIB\fB} Expands to \fBtrue\fR if \fIA\fR and \fIB\fR are identical, otherwise to \fBfalse\fR. .TP .B @file@ Expands to the filename of the current file or directory, inside the template argument to \fBchoose\fR. .TP .B @files{\fITEMPLATE\fB} Expands \fITEMPLATE\fB once for each file indicated by the \fBdirectory\fR CGI arg if it is present, or otherwise for the list of files counted by \fBfiles\fR with names \fB0_file\fR, \fB1_file\fR etc. .TP .B @fullname@ The full path of the current directory component, in \fB@navigate@\fR. .TP .B @id@ The ID of the current track. .TP .B @if{\fIBOOL\fB}{\fITRUEPART\fB}{\fIFALSEPART\fB}@ If \fIBOOL\fR expands to \fBtrue\fR then expands to \fITRUEPART\fR, otherwise to \fIFALSEPART\fR (which may be omitted). .TP .B @include:\fIPATH\fR@ Include the named file as if it were a template file. If \fIPATH\fR starts with a \fB/\fR then it is used as-is; otherwise, ".html" is appended and the template path is searched. .TP .B @index@ Expands to the index of the current file in \fB@queue@\fR, \fB@recent@\fR or \fB@files@\fR. .TP .B @isdirectories@ Expands to \fBtrue\fR if there are any directories in \fB@arg:directory@\fR, otherwise to \fBfalse\fR. .TP .B @isfiles@ Expands to \fBtrue\fR if there are any files in \fB@arg:directory@\fR, otherwise to \fBfalse\fR. .TP .B @isfirst@ Expands to \fBtrue\fR if this is the first repetition of a \fITEMPLATE\fR argument in a loop (\fB@queue\fR or similar), otherwise to \fBfalse\fR. .TP .B @islast@ Expands to \fBtrue\fR if this is the last repetition of a \fITEMPLATE\fR in a loop, otherwise to \fBfalse\fR. .TP .B @isplaying@ Expands to \fBtrue\fR if a track is playing, otherwise to \fBfalse\fR. .TP .B @isqueue@ Expands to \fBtrue\fR if there are any tracks in the queue, otherwise to \fBfalse\fR. .TP .B @isrecent@ Expands to \fBtrue\fR if the recently played list has any tracks in it, otherwise to \fBfalse\fR. .TP .B @label:\fINAME\fR\fB@ Expands to the value of label \fINAME\fR. See the shipped \fIoptions.labels\fR file for full documentation of the labels used by the standard templates. .TP .B @length@ Expands to the length of the current track. .TP .B @navigate{\fIDIRECTORY\fB}{\fITEMPLATE\fB} Expands \fITEMPLATE\fR for each component of \fIDIRECTORY\fR in turn. Use \fB@dirname\fR and \fB@basename@\fR to get the components of the path to each component. Usually used in \fBchoose.html\fR. .TP .B @ne{\fIA\fB}{\fIB\fB} Expands to \fBtrue\fR if \fIA\fR and \fIB\fR differ, otherwise to \fBfalse\fR. .TP .B @nfiles@ Expands to the number of files from \fB@files\fR (above). .TP .B @nonce@ Expands to a string including the time and process ID, intended to be unique across invocations. .TP .B @not{\fIBOOL\fB}@ Expands to \fBfalse\fR if \fIBOOL\fR is \fBtrue\fR, otherwise to \fBfalse\fR. .TP .B @or{\fIBOOL\fB}{\fIBOOL\fB}\fR...\fB@ If at least one argument is \fBtrue\fB, then expands to \fBtrue\fR, otherwise to \fBfalse\fR. .TP .B @parity@ Expands to \fBeven\fR or \fBodd\fR depending on whether the current track is at an even or odd position in \fB@queue@\fR, \fB@recent@\fR or \fB@files@\fR. .TP .B @part{\fICONTEXT\fB}{\fIPART\fB}@ Expands to track name part \fIPART\fR using context \fICONTEXT\fR for the current track. The context may be omitted (and normally would be) and defaults to \fBdisplay\fR. .TP .B @part{\fICONTEXT\fB}{\fIPART\fB}{\fITRACK\fB}@ Expands to track name part \fIPART\fR using context \fICONTEXT\fR for \fITRACK\fR. In this usage the context may not be omitted. .TP .B @paused@ Expands to \fBtrue\fR if the current track is paused, else \fBfalse\fR. .TP .B @playing{\fITEMPLATE\fB}@ Expands \fITEMPLATE\fR using the playing track as the current track. .TP .B @pref{\fITRACK\fB}{\fIKEY\fB}@ Expand to the track preference, or the empty string if it is not set. .TP .B @prefname@ Expands to the name of the current preference, in the template argument of \fB@prefs@\fR. .TP .B @prefs{\fIFILE\fB}{\fITEMPLATE\fB}@ Expands \fITEMPLATE\fR repeatedly, for each preference of track \fIFILE\fR. Use \fB@prefname@\fR and \fB@prefvalue@\fR to get the name and value. .TP .B @prefvalue@ Expands to the value of the current preference, in the template argument of \fB@prefs@\fR. .TP .B @queue{\fITEMPLATE\fB}@ Expands \fITEMPLATE\fR repeatedly using the each track on the queue in turn as the current track. The track at the head of the queue comes first. .TP .B @random-enabled@ Expands to \fBtrue\fR if random play is currently enabled, otherwise to \fBfalse\fR. .TP .B @recent{\fITEMPLATE\fB}@ Expands \fITEMPLATE\fR repeatedly using the each recently played track in turn as the current track. The most recently played track comes first. .TP .B @resolve{\fITRACK\fB}@ Resolve aliases for \fITRACK\fR and expands to the result. .TP .B @search{\fIPART\fB}\fR[\fB{\fICONTEXT\fB}\fR]\fB{\fITEMPLATE\fB}@ Expands \fITEMPLATE\fR once for each group of search results that have a common value of track part \fIPART\fR. The groups are sorted by the value of the part. .IP .B @part@ and .B @file@ within the template will apply to one of the tracks in the group. .IP If \fICONTEXT\fR is specified it should be either \fBsort\fR or \fBdisplay\fR, and determines the context for \fIPART\fR. The default is \fBsort\fR. Usually you want \fBdisplay\fR for everything except the title and \fBsort\fR for the title. If you use \fBsort\fR for artist and album then you are likely to get strange effects. .TP .B @server-version@ Expands to the server's version string. .TP .B @shell{\fICOMMAND\fB}@ Expands to the output of \fICOMMAND\fR executed via the shell. \fBsh\fR is searched for using \fBPATH\fR. If the command fails then this is logged but otherwise ignored. .TP .B @state@ In \fB@queue@\fR and \fB@recent@\fR, expands to the state of the current track. Otherwise the empty string. Known states are: .RS .TP 12 .B failed The player terminated with nonzero status, but not because the track was scratched. .TP .B isscratch A scratch, in the queue. .TP .B no_player No player could be found. .TP .B ok Played successfully. .TP .B random A randomly chosen track, in the queue. .TP .B scratched This track was scratched. .TP .B unplayed An explicitly queued track, in the queue. .RE .IP Some additional states only apply to playing tracks, so will never be seen in the queue or recently-played list: .RS .TP 12 .B paused The track has been paused. .TP .B quitting Interrupted because the server is shutting down. .TP .B started This track is currently playing. .RE .TP .B @stats@ Expands to the server statistics. .TP .B @thisurl@ Expands to the URL of the current page. Typically used in .B back arguments. If there is a .B nonce argument then it is changed to a fresh value. .TP .B @track@ The current track. .TP .B @trackstate{\fIPATH\fB}@ Expands to the current track state: \fBplaying\fR if the track is actually playing now, \fBqueued\fR if it is queued or the empty string otherwise. .TP .B @transform{\fIPATH\fB}{\fITYPE\fB}{\fICONTEXT\fB}@ Transform a path according to \fBtransform\fR (see above). \fIPATH\fR should be a raw filename (of a track or directory). \fITYPE\fR should be the transform type (e.g. \fItrack\fR or \fIdir\fR). \fICONTEXT\fR should be the context, and can be omitted (the default is \fBdisplay\fR). .TP .B @url@ Expands to the canonical URL as defined in \fIpkgconfdir/config\fR. .TP .B @urlquote{\fISTRING\fB}@ URL-quote \fISTRING\fR. .TP .B @version@ Expands to \fBdisorder.cgi\fR's version string. .TP .B @volume:\fISPEAKER\fB@ The volume on the left or right speaker. \fISPEAKER\fR must be \fBleft\fB or \fBright\fR. .TP .B @when@ When the current track was played (or when it is expected to be played, if it has not been played yet) .TP .B @who@ Who submitted the current track. .SH "WEB OPTIONS" This is a file called \fIoptions\fR, searched for in the same manner as templates. It includes numerous options for the control of the web interface. The general syntax is the same as the main configuration file, except that it should be encoded using UTF-8 (though this might change to the current locale's character encoding; stick to ASCII to be safe). .PP The shipped \fIoptions\fR file includes four standard options files. In order, they are: .TP .I options.labels The default labels file. You wouldn't normally edit this directly - instead supply your own commands in \fIoptions.user\fR. Have a look at the shipped version of the file for documentation of labels used by the standard templates. .TP .I options.user A user options file. Here you should put any overrides for the default labels and any extra labels required by your modified templates. .PP Valid directives are: .TP .B columns \fINAME\fR \fIHEADING\fR... Defines the columns used in \fB@playing@\fR and \fB@recent@\fB. \fINAME\fR must be either \fBplaying\fR, \fBrecent\fR or \fBsearch\fR. \fIHEADING\fR... is a list of heading names. If a column is defined more than once then the last definitions is used. .IP The heading names \fBbutton\fR, \fBlength\fR, \fBwhen\fR and \fBwho\fR are built in. .TP .B include \fIPATH\fR Includes another file. If \fIPATH\fR starts with a \fB/\fR then it is taken as is, otherwise it is searched for in the template path. .TP .B label \fINAME\fR \fIVALUE\fR Define a label. If a label is defined more than once then the last definition is used. .SS Labels Some labels are defined inside \fBdisorder.cgi\fR and others by the default templates. You can define your own labels and use them inside a template. .PP When an undefined label is expanded, if it has a dot in its name then the part after the final dot is used as its value. Otherwise the whole name is used as the value. .PP Labels are no longer documented here, see the shipped \fIoptions.labels\fR file instead. .SH "REGEXP SUBSTITUTION RULES" Regexps are PCRE regexps, as defined in \fBpcrepattern\fR(3). The only option used is \fBPCRE_UTF8\fR. Remember that the configuration file syntax means you have to escape backslashes and quotes inside quoted strings. .PP In a \fISUBST\fR string the following sequences are interpreted specially: .TP .B $1 \fR... \fB$9 These expand to the first to ninth bracketed subexpression. .TP .B $& This expands to the matched part of the subject string. .TP .B $$ This expands to a single \fB$\fR symbol. .PP All other pairs starting with \fB$\fR are undefined (and might be used for something else in the future, so don't rely on the current behaviour.) .PP If \fBi\fR is present in \fIREFLAGS\fR then the match is case-independent. If \fBg\fR is present then all matches are replaced, otherwise only the first match is replaced. .SH "ACTIONS" What the web interface actually does is terminated by the \fBaction\fR CGI argument. The values listed below are supported. .PP Except as specified, all actions redirect back to the \fBplaying.html\fR template unless the \fBback\fR argument is present, in which case the URL it gives is used instead. .PP Redirection to \fBplaying.html\fR preserves \fBmgmt=true\fR if it is present. .TP 8 .B "move" Move track \fBid\fR by offset \fBdelta\fR. .TP .B "play" Play track \fBfile\fR, or if that is missing then play all the tracks in \fBdirectory\fR. .TP .B "playing" Don't change any state, but instead compute a suitable refresh time and include that in an HTTP header. Expands the \fBplaying.html\fR template rather than redirecting. .IP This is the default if \fBaction\fR is missing. .TP .B "random-disable" Disables random play. .TP .B "random-enable" Enables random play. .TP .B "disable" Disables play completely. .TP .B "enable" Enables play. .TP .B "pause" Pauses the current track. .TP .B "remove" Remove track \fBid\fR. .TP .B "resume" Resumes play after a pause. .TP .B "scratch" Scratch the playing track. If \fBid\fR is present it must match the playing track. .TP .B "volume" Change the volume by \fBdelta\fR, or if that is missing then set it to the values of \fBleft\fR and \fBright\fR. Expands to the \fBvolume.html\fR template rather than redirecting. .TP .B "prefs" Adjust preferences from the \fBprefs.html\fR template (which it then expands rather than redirecting). .IP If .B parts is set then the cooked interface is assumed. The value of .B parts is used to determine which trackname preferences are set. By default the .B display context is adjusted but this can be overridden with the .B context argument. Also the .B random argument is checked; if it is set then random play is enabled for that track, otherwise it is disabled. .IP Otherwise if the .B name and .B value arguments are set then they are used to set a single preference. .IP Otherwise if just the .B name argument is set then that preference is deleted. .IP It is recommended that links to the \fBprefs\fR action use \fB@resolve@\fR to enure that the real track name is always used. Otherwise if the preferences page is used to adjust a trackname_ preference, the alias may change, leading to the URL going stale. .TP .B "error" This action is generated automatically when an error occurs connecting to the server. The \fBerror\fR label is set to an indication of what the error is. .SH "TRACK NAME PARTS" The traditional track name parts are \fBartist\fR, \fBalbum\fR and \fBtitle\fR, with the obvious intended meaning. These are controlled by configuration and by \fBtrackname_\fR preferences. .PP In addition there are two built-in parts, \fBpath\fR which is the whole path name and \fBext\fR which is the filename extension, including the initial dot (or the empty string if there is not extension). .SH "SEE ALSO" \fBdisorder\fR(1), \fBdisorderd\fR(8), \fBdisorder-dump\fR(8), \fBpcrepattern\fR(3) .\" Local Variables: .\" mode:nroff .\" fill-column:79 .\" End: .\" arch-tag:43b51c6f7ce647119d5409797c55908e