| 1 | /* Copyright (c) 2006 by Arkkra Enterprises */ |
| 2 | /* All rights reserved */ |
| 3 | |
| 4 | /* We build the template into Mupmate so we do not have to depend on the |
| 5 | * template file existing at run time. */ |
| 6 | extern const char * const template_text = |
| 7 | "//!Mup-Arkkra\n\ |
| 8 | // This is a Mup input file template.\n\ |
| 9 | // Lines starting with // are \"comments\" that are here for your benefit.\n\ |
| 10 | // You can remove them without affecting the output.\n\ |
| 11 | \n\ |
| 12 | /////////////////////////////////////////////////////////////////////////\n\ |
| 13 | // things to go on the top of the first page\n\ |
| 14 | top\n\ |
| 15 | \n\ |
| 16 | // centered title.\n\ |
| 17 | // The number in parentheses is the text point size.\n\ |
| 18 | // Make it bigger if you want a bigger title or smaller if you\n\ |
| 19 | // want a smaller title\n\ |
| 20 | title (18) \"Replace this with the title of your song\"\n\ |
| 21 | \n\ |
| 22 | // subtitle\n\ |
| 23 | // If you want a subtitle, remove the // from the beginning\n\ |
| 24 | // of the next line and fill in the appropriate subtitle text\n\ |
| 25 | // title (14) \"Replace this with the subtitle\"\n\ |
| 26 | \n\ |
| 27 | // composer info\n\ |
| 28 | // The first pair of double quotes enclose what to left justify,\n\ |
| 29 | // the second encloses what to right justify.\n\ |
| 30 | // If you want more than one line, add similar lines of input\n\ |
| 31 | title \"\" \"Replace this with composer info\"\n\ |
| 32 | \n\ |
| 33 | \n\ |
| 34 | /////////////////////////////////////////////////////////////////////////\n\ |
| 35 | // things to go on the bottom on the first page\n\ |
| 36 | bottom\n\ |
| 37 | // If you want a copyright notice, remove the //\n\ |
| 38 | // from the next line and edit in the appropriate information\n\ |
| 39 | // title \"\\(copyright) Copyright Replace this with year and name\"\n\ |
| 40 | \n\ |
| 41 | \n\ |
| 42 | /////////////////////////////////////////////////////////////////////////\n\ |
| 43 | // things to go on the top of pages other than the first\n\ |
| 44 | top2\n\ |
| 45 | // This example will give a centered page number between dashes.\n\ |
| 46 | // You can customize as you wish.\n\ |
| 47 | title \"- \\% -\"\n\ |
| 48 | \n\ |
| 49 | \n\ |
| 50 | /////////////////////////////////////////////////////////////////////////\n\ |
| 51 | // things to go at the bottom of pages other than the first\n\ |
| 52 | bottom2\n\ |
| 53 | // if you want things printed at the bottom of pages of than\n\ |
| 54 | // the first page, place them here\n\ |
| 55 | \n\ |
| 56 | \n\ |
| 57 | /////////////////////////////////////////////////////////////////////////\n\ |
| 58 | // score-wide parameters\n\ |
| 59 | //\n\ |
| 60 | // You may or may not need to change some items in this section\n\ |
| 61 | //\n\ |
| 62 | // The values given as examples are the default values that Mup uses\n\ |
| 63 | // if you don't specify anything for them\n\ |
| 64 | score\n\ |
| 65 | // time signature. Can be cut, com,\n\ |
| 66 | // or two numbers with a / between them\n\ |
| 67 | time = 4/4\n\ |
| 68 | \n\ |
| 69 | // key signature. Value is a number from 0 to 7\n\ |
| 70 | // followed by # or & for number of sharps or flats.\n\ |
| 71 | key = 0#\n\ |
| 72 | \n\ |
| 73 | // how many staffs. Can be a number from 1 to 40\n\ |
| 74 | staffs = 1\n\ |
| 75 | \n\ |
| 76 | // clef. Can be treble, treble8, 8treble, frenchviolin,\n\ |
| 77 | // soprano, mezzosoprano, alto, tenor, baritone, or bass\n\ |
| 78 | clef = treble\n\ |
| 79 | \n\ |
| 80 | // Note: there are many more parameters that can be set,\n\ |
| 81 | // but they are not included in this simple template.\n\ |
| 82 | // There are parameters to set margins, control how things\n\ |
| 83 | // are laid out on the page, transpositions value, font and size\n\ |
| 84 | // for text and lyrics, etc\n\ |
| 85 | \n\ |
| 86 | \n\ |
| 87 | /////////////////////////////////////////////////////////////////////////\n\ |
| 88 | // You can set some parameters for specific staffs,\n\ |
| 89 | // to override the score-wide parameters. For example,\n\ |
| 90 | // if you specify staffs = 2 in the score-wide parameters above,\n\ |
| 91 | // and want to use bass clef on staff 2, even though the score-wide\n\ |
| 92 | // clef parameter is set to treble, you can do\n\ |
| 93 | // staff 2\n\ |
| 94 | // clef = bass\n\ |
| 95 | \n\ |
| 96 | \n\ |
| 97 | /////////////////////////////////////////////////////////////////////////\n\ |
| 98 | // music input starts here\n\ |
| 99 | music\n\ |
| 100 | \n\ |
| 101 | \n\ |
| 102 | // For each measure, you enter one line of input for each staff,\n\ |
| 103 | // then indicate what kind of barline to print.\n\ |
| 104 | // The following specifies that staff 1 contains a measure of rest\n\ |
| 105 | // and that an ordinary bar line is to be used at the end of the measure.\n\ |
| 106 | \n\ |
| 107 | 1: mr;\n\ |
| 108 | bar\n\ |
| 109 | \n\ |
| 110 | // Usually, a measure of input for one staff consists of one or more chords\n\ |
| 111 | // Each chord is specified by\n\ |
| 112 | // time_value notes ;\n\ |
| 113 | // where time_value is something like\n\ |
| 114 | // 4 for a quarter note\n\ |
| 115 | // 8 for an eighth note\n\ |
| 116 | // 4. for a dotted-quarter note\n\ |
| 117 | // etc and notes is a list of one or more notes, specified as a pitch from\n\ |
| 118 | // a to g, optionally followed by an accidental (#, &, x, &&, or n for sharp,\n\ |
| 119 | // flat, double sharp, double flat, or natural respectively).\n\ |
| 120 | // Examples:\n\ |
| 121 | // 4c;\n\ |
| 122 | // 2. ceg;\n\ |
| 123 | // 16 f#;\n\ |
| 124 | // 1 d b&;\n\ |
| 125 | // (Spaces are optional, you can put them in if you want, but don't have to)\n\ |
| 126 | //\n\ |
| 127 | // So a complete measure might look something like:\n\ |
| 128 | // 1: 4e; 4d; 2c;\n\ |
| 129 | // bar\n\ |
| 130 | //\n\ |
| 131 | // If you want a note in a different octave than the default octave\n\ |
| 132 | // (the octave from middle-C up for treble clef,\n\ |
| 133 | // or the octave below middle-C for bass clef),\n\ |
| 134 | // you can add a + for each octave to go up or - for each octave to go down.\n\ |
| 135 | // For example:\n\ |
| 136 | // 1: c+; gc+e+; a&-; f#---;\n\ |
| 137 | //\n\ |
| 138 | // There are many other things you can specify, such as ties, slurs, grace\n\ |
| 139 | // notes, etc, and there are also many shortcuts you can use to save typing.\n\ |
| 140 | // Consult the Mup documentation for more details.\n\ |
| 141 | \n\ |
| 142 | // Other bar types you may want to use are\n\ |
| 143 | // repeatstart\n\ |
| 144 | // repeatend\n\ |
| 145 | // repeatboth\n\ |
| 146 | // dblbar\n\ |
| 147 | // endbar\n\ |
| 148 | // invisbar"; |