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1 | <HTML> |
2 | <HEAD> | |
3 | <TITLE>New Mup Features</TITLE> | |
4 | </HEAD> | |
5 | <BODY> | |
6 | <H1>New Mup Features</H1> | |
7 | <H2>New Features in Mup Version 5.3</H2> | |
8 | <P> | |
9 | Version 5.3 is primarily focused on ease of use enhancements. | |
10 | The largest item is the additional of a companion program, called Mupmate, | |
11 | that provides an interface for editing, displaying, and playing Mup files | |
12 | with the kinds of menus and windows that many people are used to. | |
13 | The Help menu will take you right to the | |
14 | <A HREF="uguide/index.html">Mup User's Guide,</A> | |
15 | which has also had improvements made. | |
16 | If you are a user who prefers the command line interface that Mup | |
17 | has always had, don't worry; we like to use that too, | |
18 | and have no intention of dropping support for it. | |
19 | </P> | |
20 | <P> | |
21 | Windows users now only need to | |
22 | <A HREF="obtain.html#windows">download a single file</A> | |
23 | and execute it to | |
24 | install everything (although you still need to get and install GSview and | |
25 | Ghostscript separately, if you want to use that for viewing the PostScript | |
26 | files). Other users can also just download a single file that contains | |
27 | both program and documentation. | |
28 | </P> | |
29 | <P> | |
30 | Other new features in 5.3 include: | |
31 | <UL> | |
32 | <LI> | |
33 | Error and warning messages have been enhanced to show you the text | |
34 | of the line of input where the problem was found. | |
35 | <LI> | |
36 | There is a new | |
37 | <A HREF="uguide/param.html#pgsize">pagesize parameter</A> | |
38 | that lets you specify paper size by common names like letter or a4, | |
39 | as an alternate to specifying | |
40 | <A HREF="uguide/param.html#pgheight">pageheight</A> and | |
41 | <A HREF="uguide/param.html#pgheight">pagewidth</A> in | |
42 | <A HREF="uguide/param.html#units">inches or cm.</A> | |
43 | <LI> | |
44 | There is a new | |
45 | <A HREF="uguide/param.html#vcombine">vcombine parameter,</A> that lets | |
46 | you enter notes on separate voices, yet have them printed on a common stem | |
47 | when possible. Typical uses are: | |
48 | <UL> | |
49 | <LI> | |
50 | To have separate | |
51 | <A HREF="uguide/midi.html">MIDI</A> tracks for different voices, yet have the | |
52 | voices printed on common stems. | |
53 | <LI> | |
54 | For a style of printing where a single | |
55 | stem is used for the two voices on a staff except when the voices share a | |
56 | common note, when two opposing stems are printed. | |
57 | </UL> | |
58 | <LI> | |
59 | The | |
60 | <A HREF="uguide/param.html#scorepad">scorepad parameter</A> now accepts an | |
61 | optional maximum value, in addition to the minimum value. | |
62 | </UL> | |
63 | </P> | |
64 | <H2>New Features in Mup Version 5.2</H2> | |
65 | <P> | |
66 | <UL> | |
67 | <LI> | |
68 | There is now a | |
69 | <A HREF="uguide/ifclause.html">generalized 'if' clause'</A> that is | |
70 | much more flexible and powerful than the simple | |
71 | <A HREF="uguide/macros.html">ifdef and ifndef.</A> | |
72 | These provide capabilities somewhat similar to the preprocessors for | |
73 | the C and C++ languages. | |
74 | <LI> | |
75 | Complicated | |
76 | <A HREF="uguide/param.html#time">time signatures</A> are now supported. | |
77 | This includes a numerator with two or more numbers added together, | |
78 | like 3+4 / 4, or two or more fractions added together, like 3/4 + 3/8. | |
79 | Alternating time signatures, such as when a piece continuously | |
80 | switches between 3/4 and 6/8, are also supported. | |
81 | <LI> | |
82 | The | |
83 | <A HREF="uguide/param.html#beamstyl">beamstyle</A> | |
84 | and | |
85 | <A HREF="uguide/param.html#timeunit">timeunit</A> | |
86 | parameter values associated with a | |
87 | <A HREF="uguide/param.html#time">time signature</A> | |
88 | are now remembered, so that if you later change back to the same time signature, | |
89 | you don't have to also set the beamstyle and timeunit at the same time; | |
90 | the value used previously for that time signature will be | |
91 | restored automatically. | |
92 | (Note that if you have existing Mup files that rely on the old behavior, | |
93 | they may need small modifications, but that should be rare.) | |
94 | <LI> | |
95 | It is now possible to | |
96 | <A HREF="uguide/chrdattr.html#stemdir">force stem direction</A>on voices 1 and 2 | |
97 | even when the other voice is not space. | |
98 | <LI> | |
99 | Improvements have been made to how the | |
100 | angle for beams is calculated. | |
101 | The "best" angle for a beam is sometimes somewhat subjective, | |
102 | but in general, these changes will result in more | |
103 | cases where beams are horizontal or less sloped, | |
104 | <LI> | |
105 | There are also additional ways you can control beams: | |
106 | A new | |
107 | <A HREF="uguide/ichdattr.html#slope">slope interchord attribute</A> | |
108 | lets you force a specific slope. | |
109 | The new | |
110 | <A HREF="uguide/param.html#sshorten">stemshorten parameter</A> | |
111 | lets you determine how much a chord's stem | |
112 | is allowed to be shortened when it is beamed. | |
113 | And the existing | |
114 | <A HREF="uguide/chrdattr.html#stemlen">len chord attribute</A> | |
115 | can now be set for | |
116 | just one end of a beamed set of chords as an alternative to | |
117 | setting it at both ends. | |
118 | <LI> | |
119 | <A HREF="uguide/index.html">The HTML version of the Mup User's Guide</A> | |
120 | now includes 'next page' and 'previous page' links on each page. | |
121 | </UL> | |
122 | </P> | |
123 | <H2>New Features in Mup Version 5.1</H2> | |
124 | <P> | |
125 | <UL> | |
126 | <LI> | |
127 | You may specify <A HREF="uguide/chordinp.html#duration">a time value that is the | |
128 | summation of several time values.</A> This can be used to obtain | |
129 | <A HREF="uguide/param.html#beamstyl">beaming</A>, | |
130 | <A HREF="uguide/lyrics.html">lyrics</A>, or | |
131 | <A HREF="uguide/tuplets.html">tuplets</A> with durations that | |
132 | cannot be represented with a single time value, like a half note plus | |
133 | an eighth note. It also gives an alternate way to specify | |
134 | <A HREF="uguide/ichdattr.html#tie">chord ties.</A> | |
135 | <LI> | |
136 | <A HREF="uguide/crossst.html">Cross-staff stems</A> are now supported. | |
137 | <LI> | |
138 | You can now explicitly specify a direction of "up" on | |
139 | <A HREF="uguide/roll.html">rolls</A> to get an upward arrow drawn at the | |
140 | top of the roll. (Before, only a downward roll would get an arrow.) | |
141 | <LI> | |
142 | Mup will now allow you to | |
143 | <A HREF="uguide/param.html#beamstyl">beam across spaces</A> as well | |
144 | as rests. | |
145 | <LI> | |
146 | There is a new | |
147 | <A HREF="uguide/param.html#restsymm">restsymmult parameter.</A> | |
148 | Setting it to y will cause Mup to use an alternate style for | |
149 | multirests of eight measures or less, which uses rest symbols. | |
150 | <LI> | |
151 | There is a new string sequence that will be replaced by | |
152 | <A HREF="uguide/headfoot.html#pagenum">the page number of the last page.</A> | |
153 | This may useful to be able to automatically get output | |
154 | like "Page 2 of 4 pages." | |
155 | <LI> | |
156 | There is a new option for printing of | |
157 | <A HREF="uguide/tuplets.html">tuplet</A> numbers, | |
158 | where the number is always printed, but the bracket is never printed. | |
159 | <LI> | |
160 | If you want to have the same | |
161 | <A HREF="uguide/lyrics.html">lyrics</A> | |
162 | above some staffs and below others, | |
163 | it is now possible to specify that on a single input line, | |
164 | rather than requiring two. | |
165 | <LI> | |
166 | Improvements have been made to how voice 3 is placed, | |
167 | which will often eliminate the need to manually specify a | |
168 | <A HREF="uguide/chrdattr.html#hoffset">horizontal offset.</A> | |
169 | </UL> | |
170 | </P> | |
171 | <H2>New Features in Mup Version 5.0</H2> | |
172 | <P> | |
173 | <UL> | |
174 | <LI> | |
175 | Mup now supports the | |
176 | <A HREF="uguide/shaped.html">shaped notes</A> | |
177 | often used in "Sacred | |
178 | Harp" music, also sometimes called "fasola" notation. | |
179 | New note head characters are available for the most common system of 4 shapes, | |
180 | as well as a system with 7 shapes. | |
181 | As part of this feature, there is a new | |
182 | <A HREF="uguide/shaped.html#hdshape">headshape context</A> | |
183 | and a new | |
184 | <A HREF="uguide/param.html#notehead">noteheads parameter</A> | |
185 | that lets you define what shapes will be used for notes. | |
186 | <LI> | |
187 | Note head shapes can also be specified on | |
188 | <A HREF="uguide/shaped.html#chord">specific chords</A> | |
189 | or | |
190 | <A HREF="uguide/shaped.html#note">a specific note within a chord.</A> | |
191 | This makes it possible to do things like have both normal | |
192 | and X-shaped notes on the same stem. | |
193 | <LI> | |
194 | There are new "slash" | |
195 | <A HREF="uguide/shaped.html">note heads,</A> | |
196 | often used to indicate | |
197 | repeated chords, and a new "blankhead" note head, that can be | |
198 | used if you just want a stem without any note head. | |
199 | <LI> | |
200 | There is a new | |
201 | <A HREF="uguide/param.html#stemlen">stemlen parameter</A> | |
202 | that lets you set the default stem length. A common use for this would | |
203 | be to set this parameter to 0.0, | |
204 | to not have any stems at all (sometimes used for chant). | |
205 | <LI> | |
206 | It is now possible to change the | |
207 | <A HREF="uguide/param.html#clef">clef,</A> | |
208 | <A HREF="uguide/param.html#defoct">defoct,</A> | |
209 | and | |
210 | <A HREF="uguide/param.html#release">release</A> | |
211 | parameters in the | |
212 | <A HREF="uguide/midmeas.html">middle of a measure.</A> | |
213 | <LI> | |
214 | You can now include | |
215 | <A HREF="uguide/prnttext.html#postscript">raw PostScript</A> | |
216 | in the input to the copied to the output. This could be used, | |
217 | for example, to include a picture or logo with your music. | |
218 | <LI> | |
219 | In addition to the old way of specifying | |
220 | <A HREF="uguide/param.html#key">key signature,</A> | |
221 | by stating the number of sharps or flats, | |
222 | it is now possible to specify the key by name, as in "a major" | |
223 | or "c# minor." | |
224 | <LI> | |
225 | There is a new | |
226 | <A HREF="uguide/param.html#swing">swingunit parameter.</A> | |
227 | Some styles of music are often written with straight eighth notes | |
228 | or dotted-eighth-sixteeen notations, but where the players "know" | |
229 | that the composer really wants the music played | |
230 | with the first note in each pair twice as long as the second, | |
231 | as if it were a quarter-eighth triplet. | |
232 | This parameter will make Mup's MIDI output automatically follow that kind of | |
233 | performance convention. | |
234 | <LI> | |
235 | It is possible to | |
236 | <A HREF="uguide/bars.html#setreh">set the rehearsal letter or number</A> | |
237 | to a specific value, to override the automatic incrementing. | |
238 | This might be especially useful when there are multiple songs or movements | |
239 | in a single Mup file. | |
240 | </UL> | |
241 | </P> | |
242 | <H2>New Features in Mup Version 4.6</H2> | |
243 | <P> | |
244 | <UL> | |
245 | <LI> | |
246 | There are new | |
247 | <A HREF="uguide/headfoot.html">top, bottom, top2, and bottom2 contexts</A> | |
248 | that let you define a second layer of headers and footers. These new | |
249 | contexts can be changed multiple times in a file, so you can use different | |
250 | headings and footing for different songs or movements within a file. | |
251 | <LI> | |
252 | There is a new | |
253 | <A HREF="uguide/prnttext.html#block">"block" context,</A> | |
254 | that lets you place blocks of text in your musical scores. | |
255 | <LI> | |
256 | There is a new | |
257 | <A HREF="uguide/prnttext.html#paragrph">paragraph</A> command for printing | |
258 | long sections of text that you would like to have automatically wrapped | |
259 | around unto as many lines as needed. The right margin can be justified | |
260 | or ragged. | |
261 | <LI> | |
262 | For Linux, in addition to being available in tar.gz format, Mup files are now | |
263 | <A HREF="obtain.html#linux">available in rpm package format,</A> | |
264 | for very quick-and-easy installation. The | |
265 | MS-DOS/Windows Mup files are now available as | |
266 | <A HREF="obtain.html#windows">self-extracting zip files,</A> | |
267 | so you don't need to have | |
268 | an unzip program to unpack them. | |
269 | <LI> | |
270 | The | |
271 | <A HREF="uguide/param.html#visible">visible parameter</A> | |
272 | now accepts a value of "whereused." | |
273 | With this value, when a staff has no notes on an entire score, | |
274 | that staff is not printed. This might be used, for example, | |
275 | to save paper on an orchestral score by only printing staffs for | |
276 | instruments when they are actually playing. | |
277 | <LI> | |
278 | There are new parameters | |
279 | <A HREF="uguide/param.html#mnumfont">measnumfont,</A> | |
280 | <A HREF="uguide/param.html#mnumfam">measnumfontfamily,</A> | |
281 | and | |
282 | <A HREF="uguide/param.html#mnumsize">measnumsize,</A> | |
283 | to control the appearance of | |
284 | <A HREF="uguide/param.html#measnum">automatic measure numbers.</A> | |
285 | <LI> | |
286 | It is now possible to | |
287 | <A HREF="uguide/param.html">unset parameters</A> | |
288 | in voice or staff context, to make them revert to their values | |
289 | in the next more general context where they are set (staff or score). | |
290 | <LI> | |
291 | When a repeatstart gets moved to the beginning of a score, sometimes | |
292 | you'd like the bar line at the end of the previous score to be a double | |
293 | bar rather than single bar. It is now possible to | |
294 | <A HREF="uguide/bars.html">specify that.</A> | |
295 | <LI> | |
296 | There is a new | |
297 | <A HREF="uguide/cmdargs.html#Foption">-F option</A> | |
298 | that is like the -f option, except it derives the name of the output | |
299 | file based on the name of the input file, rather than you needing to | |
300 | specify an output file name. | |
301 | <LI> | |
302 | The Mup input file name is given in the PostScript output file, | |
303 | so that PostScript viewer programs like gv can use it in their window title. | |
304 | <LI> | |
305 | There is now a | |
306 | <A HREF="maillist.html">majordomo mailing list available for | |
307 | registered Mup users.</A> This is a forum for talking with other Mup users, | |
308 | to discuss questions and tips on using Mup. | |
309 | </UL> | |
310 | </P> | |
311 | <H2>New Features in Mup Version 4.5</H2> | |
312 | <P> | |
313 | <UL> | |
314 | <LI> | |
315 | There is a new | |
316 | <A HREF="uguide/cmdargs.html#xoption">-x option</A> | |
317 | that lets you extract a portion of a song. This can be | |
318 | especially useful for MIDI, where you might want | |
319 | to listen to just a few measures | |
320 | in the middle or end of a piece. But it also works in printing mode, | |
321 | so you can print just an excerpt of a piece. | |
322 | <LI> | |
323 | It is now possible to specify "subbeams," both with | |
324 | <A HREF="uguide/ichdattr.html#custbeam">custom beaming</A> and via the | |
325 | <A HREF="uguide/param.html#beamstyl">beamstyle parameter.</A> | |
326 | This can be used when there are a lot of very short notes, | |
327 | and you want to subdivide the beam groupings. | |
328 | <LI> | |
329 | The drawing of phrase marks, ties, and slurs has been re-implemented to | |
330 | produce more aesthetically pleasing curves. | |
331 | <LI> | |
332 | There is a new special character, | |
333 | <A HREF="uguide/textstr.html#space">called \(space),</A> | |
334 | which is printed like | |
335 | a normal space on output, but which is not treated like a space when Mup is | |
336 | looking for word or syllable boundaries. The most common use for this would | |
337 | probably be on | |
338 | <A HREF="uguide/lyrics.html">chant lyrics,</A> | |
339 | where you want several words to be sung to the same note. | |
340 | It might also be useful in cases where Mup would normally split a long | |
341 | string at a word boundary to avoid running off the edge of a page, | |
342 | but for some reason you want to prevent that splitting. | |
343 | <LI> | |
344 | It is possible to | |
345 | <A HREF="uguide/linecurv.html">print a text string centered above a line.</A> | |
346 | This is likely to be the most useful for printing "gliss." by a wavy | |
347 | line for a glissando, but it can be used on any kind of line. | |
348 | <LI> | |
349 | There are some new <a HREF="userpgms.html">user-donated files,</A> | |
350 | including a Windows installer, and Mup syntax files for nedit and vim. | |
351 | </UL> | |
352 | </P> | |
353 | <H2>New Features in Mup Version 4.4</H2> | |
354 | <P> | |
355 | <UL> | |
356 | <LI> | |
357 | Many of the changes in this release were to make Mup conform more closely with | |
358 | established guidelines or rules for musical notation. | |
359 | This mainly involved small adjustments to cosmetic details, like | |
360 | how accidentals and dots are placed. | |
361 | For mid-score clef changes, the clef is now placed before the barline, | |
362 | as it should be, rather than after. | |
363 | There is also an improved algorithm for determining where to | |
364 | end the underscores on lyrics. | |
365 | <LI> | |
366 | The use of labels, both | |
367 | <A HREF="uguide/param.html#label">labels associated with individual staffs</A> | |
368 | and labels associated with staffs grouped by | |
369 | <A HREF="uguide/param.html#brace">braces</A> or | |
370 | <A HREF="uguide/param.html#bracket">brackets</A>, | |
371 | has been made more flexible. | |
372 | It used to be that the "label" was only used on | |
373 | the very first score, with "label2" used on all subsequent scores. | |
374 | Thus resetting label after the beginning really had no effect. | |
375 | Now, however, whenever a new label is specified, that label will be used for the | |
376 | next score, going back to label2 for subsequent scores. | |
377 | As an example, this might be useful if staff 1 was used for just soprano | |
378 | at the beginning of the song, | |
379 | so you wanted label="Soprano" and label2="S" | |
380 | for that portion, but later soprano and alto share the staff, so you would | |
381 | like label="Soprano/alto" to clearly point out the change, but then | |
382 | revert to just "SA" on subsequent staffs, to conserve space. | |
383 | <LI> | |
384 | You can specify a bulge direction for | |
385 | <A HREF="uguide/noteattr.html#ntie">note ties,</A> | |
386 | <A HREF="uguide/noteattr.html#nslur">note slurs,</A> | |
387 | <A HREF="uguide/ichdattr.html#tie">chord ties,</A> and | |
388 | <A HREF="uguide/ichdattr.html#slur">chord slurs,</A> | |
389 | if you wish to override Mup's choice of direction. | |
390 | <LI> | |
391 | You can now use \s(PV) or \s(previous) in a text string to return to | |
392 | the previous | |
393 | <A HREF="uguide/textstr.html#size">size.</A> | |
394 | <LI> | |
395 | The | |
396 | <A HREF="uguide/param.html#clef">8treble clef</A> is now supported. | |
397 | This is like the treble8 clef, except the 8 is printed above the G clef | |
398 | rather than below it, to show notes that sound an octave <I>higher</I> than | |
399 | a normal treble clef. | |
400 | <LI> | |
401 | <A HREF="uguide/phrase.html">Phrase marks</A> can now have | |
402 | an optional line type modifier of dotted or dashed. | |
403 | </UL> | |
404 | </P> | |
405 | <H2>New Features in Mup Version 4.3</H2> | |
406 | <P> | |
407 | <UL> | |
408 | <LI> | |
409 | There is a new | |
410 | <A HREF="uguide/param.html#rehstyle">rehstyle parameter</A> | |
411 | that controls whether rehearsal marks are boxed, circled, or plain. | |
412 | <LI> | |
413 | It is no longer necessary to specify verse numbers for | |
414 | <A HREF="uguide/lyrics.html">lyrics</A> | |
415 | (unless you want to skip a verse). If not specified, each | |
416 | succeeding set of lyrics for a given staff and place defaults | |
417 | to having a verse number one more than the previous verse. | |
418 | <LI> | |
419 | There is a new way to | |
420 | <A HREF="uguide/param.html#sylpos">force the position of individual lyrics syllables</A> | |
421 | that is particularly useful for ensuring that verse numbers or the | |
422 | beginnings of poetic lines align consistently on all verses. | |
423 | <LI> | |
424 | There are new | |
425 | <A HREF="uguide/cmdargs.html#Eoption">-E and -C options</A> | |
426 | that let you see how macros expand, which can help you in debugging | |
427 | very complex macros. | |
428 | <LI> | |
429 | There is a new | |
430 | <A HREF="uguide/param.html#staffpad">staffpad parameter</A>, | |
431 | and the value of the | |
432 | <A HREF="uguide/param.html#scorepad">scorepad parameter</A> | |
433 | can now be negative. Using negative values for these can let you | |
434 | jam staffs or scores closer together in cases where | |
435 | Mup is spacing them wider apart than is really necessary. | |
436 | <LI> | |
437 | It is now possible to have more than one voice on | |
438 | <A HREF="uguide/tabstaff.html">tablature staffs</A> | |
439 | just like on non-tablature. | |
440 | <LI> | |
441 | It is now possible to | |
442 | <A HREF="uguide/newscore.html">temporarily override margins</A> | |
443 | on a particular score. This can let you indent one score differently | |
444 | than the others, or end a piece with a shorter-than-normal score. | |
445 | <LI> | |
446 | There is now an "alt pedstar" value for the | |
447 | <A HREF="uguide/param.html#pedstyle">pedstyle parameter</A> | |
448 | This is like the "pedstar" value | |
449 | except that when there is a pedal "bounce," | |
450 | only a "Ped" is printed, rather than a "* Ped." | |
451 | <LI> | |
452 | There is a new | |
453 | <A HREF="userpgms.html">user-donated program</A> called | |
454 | <A HREF="ftp://ftp.arkkra.com/pub/dos/user.pgms/winmup11.zip">Winmup</A> | |
455 | which provides a Windows front-end for the MS-DOS version of Mup. The | |
456 | <A HREF="ftp://ftp.arkkra.com/pub/dos/user.pgms/winmup11src.zip">Visual Basic source | |
457 | code for Winmup</A> is also available. | |
458 | <LI> | |
459 | Several miscellaneous changes were made to improve the quality of | |
460 | printed output and to improve portability. | |
461 | Current Mup users may find the layout of some songs may change | |
462 | somewhat when they upgrade. | |
463 | </UL> | |
464 | </P> | |
465 | <H2>New Features in Mup Version 4.2</H2> | |
466 | <P> | |
467 | <UL> | |
468 | <LI> | |
469 | A <A HREF="uguide/param.html#vscheme">third voice per staff</A> | |
470 | is now supported. | |
471 | <LI> | |
472 | It is now possible to | |
473 | <A HREF="uguide/chrdattr.html#hoffset">adjust the horizontal placement of notes.</A> | |
474 | <LI> | |
475 | It is now possible to | |
476 | <A HREF="uguide/param.html#beamstyl">beam across rests.</A> | |
477 | <LI> | |
478 | The optional | |
479 | <A HREF="uguide/param.html#measnum">automatic measure numbers | |
480 | at the beginnings of scores</A> are now printed in a larger size. | |
481 | <LI> | |
482 | <A HREF="uguide/altinp.html">The chord-at-a-time input style</A> | |
483 | has been made more versatile. Previously, | |
484 | if a voice was mentioned in a pattern, that voice could not be used for | |
485 | voice-at-a-time input style in that measure, even if the pattern was | |
486 | never actually used. Now the restriction only applies if the pattern is | |
487 | actually used. | |
488 | <LI> | |
489 | Strings can be printed | |
490 | <A HREF="uguide/textstr.html#boxed">enclosed in a circle or elipse.</A> | |
491 | <LI> | |
492 | There is a new | |
493 | <A HREF="uguide/param.html#beamslp">beamslope parameter</A> | |
494 | that controls the maximum tilt for beams. | |
495 | <LI> | |
496 | There is a new | |
497 | <A HREF="uguide/param.html#pad">pad parameter</A> | |
498 | that provides an additional way to control how close together | |
499 | note groups are placed horizontally. | |
500 | <LI> | |
501 | There is a new | |
502 | <A HREF="uguide/midi.html">MIDI "port" keyword.</A> | |
503 | This can let you assign different tracks to different ports on | |
504 | multi-port MIDI devices, allowing for more than 16 channels. | |
505 | <LI> | |
506 | The minimum values for the | |
507 | <A HREF="uguide/param.html#scoresep">scoresep</A> and | |
508 | <A HREF="uguide/param.html#staffsep">staffsep</A> parameters | |
509 | can now be set as low as 6, rather than the previous minimum of 9. | |
510 | </UL> | |
511 | </P> | |
512 | <H2>New Features in Mup Version 4.1</H2> | |
513 | <P> | |
514 | <UL> | |
515 | <LI> | |
516 | <A HREF="uguide/textmark.html#grids">Guitar grids</A> can now be | |
517 | printed, either | |
518 | <A HREF="uguide/param.html#gridused">where they are used in the music,</A> | |
519 | or | |
520 | <A HREF="uguide/param.html#gridend">summarized at the end of a song.</A> | |
521 | There is also a | |
522 | <A HREF="userpgms.html">library of pre-defined grids</A> | |
523 | that you can | |
524 | <A HREF="uguide/include.html">"include"</A> in your music. | |
525 | <LI> | |
526 | <A HREF="uguide/textstr.html#special">Non-ASCII characters from the Latin-1 alphabet</A> can now be typed directly | |
527 | into strings in Mup input, rather than needing to be specified by name. | |
528 | Shortcut names have also been added for guillemots. | |
529 | <LI> | |
530 | The maximum | |
531 | <A HREF="uguide/param.html#staffs">number of staffs</A> has been raised to 40. | |
532 | <LI> | |
533 | The | |
534 | <A HREF="uguide/param.html#stlines">stafflines</A> | |
535 | and | |
536 | <A HREF="uguide/param.html#stscale">staffscale</A> | |
537 | parameters can now be changed at any bar line rather than only at the | |
538 | beginning of a song. Changing either of them forces a new score. | |
539 | <LI> | |
540 | The <A HREF="uguide/param.html#staffsep">staffsep</A> | |
541 | parameter can now be set on a per-staff basis, rather than just | |
542 | for the score as a whole. | |
543 | <LI> | |
544 | There are new parameters that allow you to control the order that items | |
545 | <A HREF="uguide/param.html#aboveord">above,</A> | |
546 | <A HREF="uguide/param.html#beloword">below,</A> | |
547 | and | |
548 | <A HREF="uguide/param.html#betwnord">between</A> | |
549 | staffs are stacked. | |
550 | <LI> | |
551 | It is now possible to | |
552 | <A HREF="uguide/param.html#nummrpt"> | |
553 | turn off the automatic numbering of measure repeats</A> | |
554 | and the | |
555 | <A HREF="uguide/param.html#prmultn"> | |
556 | printing of multirest numbers.</A> | |
557 | <LI> | |
558 | It is now possible to | |
559 | <A HREF="uguide/chrdattr.html#dist">specify the vertical placement of a rest character,</A> | |
560 | if you want to override Mup's automatic placement. | |
561 | <LI> | |
562 | It is now possible to | |
563 | <A HREF="uguide/textstr.html#strcat">concatenate strings.</A> | |
564 | This is likely to be most useful in | |
565 | <A HREF="uguide/macros.html">macros,</A> | |
566 | but can be used anywhere strings are used. | |
567 | <LI> | |
568 | There is a new | |
569 | <A HREF="uguide/param.html#firstpg">firstpage parameter,</A> | |
570 | which is similar to the | |
571 | <A HREF="uguide/cmdargs.html#poption">-p command line option,</A> | |
572 | for setting the first page number. | |
573 | <LI> | |
574 | There is a new | |
575 | <A HREF="uguide/param.html#restcomb">restcombine parameter,</A> | |
576 | which is similar to the | |
577 | <A HREF="uguide/cmdargs.html#coption">-c command line option,</A> | |
578 | for automatically combining a sequences of rest measures into | |
579 | <A HREF="uguide/multirst.html">multirests.</A> | |
580 | <LI> | |
581 | Music symbols that occur inside ital or boldital strings will | |
582 | <A HREF="uguide/textmark.html#italmus">automatically be made italics</A> | |
583 | to match the string. | |
584 | <LI> | |
585 | It is possible to | |
586 | <A HREF="uguide/lyrics.html#centered">vertically center lyrics.</A> | |
587 | This is useful when there is a refrain with identical words for all | |
588 | verses, and you only want it printed once. | |
589 | <LI> | |
590 | It is now allowed to have a | |
591 | <A HREF="uguide/param.html#brace">brace</A> | |
592 | to the left of | |
593 | <A HREF="uguide/param.html#bracket">brackets,</A> | |
594 | to group a subset of staffs. | |
595 | (Previously, only brackets were allowed to be nested that way.) | |
596 | </UL> | |
597 | </P> | |
598 | <H2>New Features in Mup Version 4.0</H2> | |
599 | <P> | |
600 | <UL> | |
601 | <LI> | |
602 | There is now an | |
603 | <A HREF="uguide/altinp.html">alternate input style,</A> | |
604 | in which you can enter music a chord at a time rather than a voice at | |
605 | a time. For certain kinds of music, this may be more natural, | |
606 | and allow you to enter music more quickly. | |
607 | <A HREF="uguide/chordinp.html">The previous input style</A> | |
608 | has also been made more flexible, such that it | |
609 | is now possible to specify that one line of input will go to voice 1 | |
610 | on one staff or set of staffs and voice 2 on another staff or set of staffs. | |
611 | These enhancements make it easier to do things like input a vocal score and | |
612 | <A HREF="uguide/pianored.html">automatically get a piano reduction.</A> | |
613 | <LI> | |
614 | It is now possible to | |
615 | <A HREF="uguide/macros.html#quoting">transform a parameter passed | |
616 | to a macro into a string.</A> | |
617 | If you are a C programmer, you will find this works somewhat | |
618 | like the # operator of ANSI C preprocessor macros. If you're not a | |
619 | C programmer, suffice it to say that this allows Mup macros to be used | |
620 | to do things they couldn't do before. | |
621 | <LI> | |
622 | There is a new special bar type, called | |
623 | <A HREF="uguide/bars.html#restart">restart</A>, that lets you | |
624 | end the current set of staffs and begin a new set of staffs on the same | |
625 | line, as is sometimes done for a short coda. | |
626 | <LI> | |
627 | The symbols for accidentals (like # and &) are now translated to | |
628 | their corresponding musical symbols everywhere in | |
629 | <A HREF="uguide/textmark.html#chordmod">chords,</A> | |
630 | rather than only if they immediately follow the letters A through G. | |
631 | You can, however, turn off this automatic translation | |
632 | for individual cases where you want them to be treated literally. | |
633 | <LI> | |
634 | <A HREF="uguide/chordinp.html#duration">Quadruple whole rests</A> are supported. | |
635 | <LI> | |
636 | It is possible to force a | |
637 | <A HREF="uguide/chordinp.html#measdur">measure rest</A> | |
638 | to be shown with a rest symbol other than the whole rest symbol | |
639 | that is usually used. | |
640 | <LI> | |
641 | There is a new | |
642 | <A HREF="uguide/param.html#addxpose">addtranspose parameter</A>. This | |
643 | enables you to use the | |
644 | <A HREF="uguide/param.html#xpose">transpose parameter</A> to change | |
645 | the transposition on specific staffs for transposing instruments, | |
646 | then use addtranpose to transpose the entire score into a new key. | |
647 | <LI> | |
648 | There is a new | |
649 | <A HREF="uguide/param.html#warn">warn parameter</A> which allows you | |
650 | to control whether warning messages are printed or not. | |
651 | <LI> | |
652 | There is a new | |
653 | <A HREF="uguide/param.html#ontheline">ontheline parameter</A>. This | |
654 | allows you to control whether notes on 1-line staffs are printed above, below, | |
655 | or on the line. | |
656 | <LI> | |
657 | The | |
658 | <A HREF="uguide/param.html#dist">dist,</A> | |
659 | <A HREF="uguide/param.html#chdist">chorddist,</A> | |
660 | and | |
661 | <A HREF="uguide/param.html#cresdist">crescdist</A> | |
662 | parameters can be | |
663 | <A HREF="uguide/stuff.html#dist">overridden on individual items.</A> | |
664 | A dist override can also be specified on | |
665 | <A HREF="uguide/bars.html#reh">rehearsal marks.</A> | |
666 | Each dist override can also include a modifier | |
667 | to force items to a specific place, | |
668 | even if they then overwrite other items that Mup would normally avoid. | |
669 | <LI> | |
670 | There is a new | |
671 | <A HREF="uguide/cmdargs.html#moption">-M option</A> which is like the | |
672 | -m option, except the name of the MIDI file is derived from the Mup | |
673 | input file name, rather than requiring you to supply a name. | |
674 | <LI> | |
675 | If a given input file name does not exist, Mup will try appending .mup | |
676 | to the name and attempt to open that file. | |
677 | <LI> | |
678 | It is now possible to specify an | |
679 | <A HREF="uguide/chordinp.html#restspc">uncollapseable space</A>. | |
680 | This may be useful when drawing "slash" marks and at other times. | |
681 | <LI> | |
682 | There is a new | |
683 | <A HREF="userpgms.html">user-donated program</A> called midi2mup, which | |
684 | is a Perl script that can convert a MIDI file to Mup input. | |
685 | <LI> | |
686 | The uguide gives examples of how to | |
687 | <A HREF="uguide/verses.html">places verses as text blocks below the scores.</A> | |
688 | </UL> | |
689 | </P> | |
690 | <H2>Coming Attractions</H2> | |
691 | <P> | |
692 | We're always interested in hearing about what features you would | |
693 | like to see in the next version of Mup. | |
694 | What features we add will depend on your input, so | |
695 | please send us a note at | |
696 | <A HREF="mailto:support@arkkra.com">support@arkkra.com.</A> | |
697 | </P> | |
698 | <!-- add link to home page --> | |
699 | </BODY> | |
700 | </HTML> |